It’s been a while since I wrote something for the column, but I have been doing a lot of work and studying behind the scenes, which explains why there hasn’t been a lot of music writing lately. However, now that I have some time before grad school restarts, I can start talking about music again.
Blessed be thy gods.
For this episode of the column, I wanted to talk about a genre that combines both my love for classical (read: orchestral) music and metal, as I spend a lot of time listening to both genres. While symphonic metal tends to focus more on the vocal and operatic aspects of what we consider classical music to be, we tend to talk about instruments and instrumentation in accordance to their sound in a specific genre or in how they add texture to a song.
It’s time we talked about Neoclassical Metal. Continue reading
This week has been… aggressive.
- Vile Creature have announced a North American tour as well as an exclusive London show. The tour runs in May and June, and Elizabeth Colour Wheel will be joining them for a few dates, which is super cool. Their debut album with Prosthetic Records should be out in the near future as well.
- Mörk Gryning have announced their first ever U.S. tour. There are only seven dates between April 30th and May 6th, but it includes an appearance at Art Noir Extreme Fest II in Brooklyn.
- Heilung announced an upcoming release of their performance at Castlefest in 2017. It will be called Lifa – Heilung Live at Castlefest, and it drops on April 24th through Season of Mist.
- Check out this new video from Fleshgod Apocalypse for “Monnalisa”. That’s a track taken from Veleno, which is out now on Nuclear Blast. They have a U.S. tour kicking off in just a couple weeks.
“Ein Bier… bitte.”
It maybe nothing more than a glint in the distance, but the end of Hooptober 6(66) is in site. And maybe it’s the chill in the air, but I’m starting to find more and more to like, whether it’s the art-heavy exploration of black identity and horror in Ganja & Hess, the finger pointing at capitalism and consumer culture in The Stuff, and even in the vampirism = art of Bliss. Those films coupled with some of the most terrifying moments I’ve witnessed in a horror film and Cujo and what so far is my film of the year for 2019, One Cut of the Dead make for some fun watching this killer season.
So enough talk. Check your pup for foamy lips and let’s get into this week’s films. Continue reading
Like every Hooptober, the first week brings in some of the best films…and some of the worst. On one side of the spectrum you have the emotionally punishing Lynchian warp of Andrzej Żuławski’s Possession and the beautifully fragile horror fantasy of Issa Lopez’s Tigers Are Not Afraid. On the other hand you have, well…Hobgoblins. In between there are various levels of good (and bad) with both Deliver Us From Evil and Dracula’s Daughter, but in the end I have to once again call it a crap-shoot.
So come on in and check out the week’s wares for Hooptober 2019. Watch the creaky step and the things that go bump in the night. Continue reading