I know normally in this column I’ve been talking about ambient releases, but we use Rainbows in the Dark to explore any kind of music that gets heavy without falling into “metal” territory. One of the more exciting (at least for me) musical trends in the United States is an emergence of bands that take traditional Americana song structures and styling and add in flairs of gothic darkness. Acts like Wovenhand and King Dude have gotten the attention of the populace at large, and now set to join those ranks is Portland, OR’s The Dark Red Seed with their debut EP Stands With Death.
Welcome to another edition of Rainbows in the Dark, the column where we talk about things that we love that don’t fall under the metal umbrella. Rest assured that the album we will be exploring is still heavy, just a different kind of heavy. Today brings us new sounds in the form of Dark Days, a collaboration between Texas based experimental musicians Tanner Garza and Funeral Parlor. Continue reading
Welcome to what is certainly the article with the longest title ever featured on this site. I doubt I’ll be seeing a trophy in the mail for this any time soon, but I digress. We always delve into dark music here at Nine Circles through our exploration of various forms of extreme metal, but Rainbows in the Dark gives me a chance to explore a different kind of darkness, and there is hardly a better vehicle than Common Eider, King Eider‘s new album, an imposing slab of dark ambient music. Continue reading
Rainbows in the Dark is back once again in force. Even in years where there is seemingly an avalanche of great metal albums released, it is necessary to make sure that you don’t get new release tunnel vision and miss out on some great albums from across the rest of the genre spectrum. To that end, I’d like to talk about my love for ambient music and a great release from earlier in the year by Chicago’s Trevor de Brauw. Continue reading
It’s been a while since we featured a Rainbows in the Dark column, and to be honest with all the great metal in the last few weeks it’s been hard to do anything but soak myself in the blistering death metal of Immolation, the raging thrash of Power Trip and Overkill, and the dark misery of Junius. But man cannot live on metal alone — at least this man can’t — and last week two fantastic albums dropped that I’d be remiss if I didn’t confess I’ve been playing more than anything else in the last seven days. So I beg your indulgence for a few paragraphs as I wax rhapsodic about the latest albums from two performers I just got turned onto: King Gizzard & the Lizard Wizard and Thundercat. Continue reading