Kicking off another week, first thing, here on Initial Descent. None of you spoke up and said you hated the move to Monday so you’re stuck with it but I can’t think of a better way to get the momentum going than some new metal. Let’s do this.
First up is the fantastic debut, Seasons of Salt, from Khôrada which sees ex Agalloch and Giant Squid members unite to form a dark and challenging but beautiful piece of work. Mutilation Rites return with their fiery and filthy brand of black / death metal on Chasm, Future Cult sees The Lion’s Daughter mix extreme metal with 80s style slasherwave which equals a big score, and Wölfblood pull all the stops on their motorpunk, speed warped EP Nightriders which finally sees physical release so get on it.
There you have it, week is officially kicked off. Great openers but there’s many more to get into so stick around. We’ll be seeing you here throughout the week.Continue reading →
Four out of five on the Canto posts. Oh well, I guess Corey’s eating a shoe. Anyway, here’s some news to close out your week:
Leading off, it’s new-release Friday! A whole bunch of great bands dropped new stuff today, including ImperialTriumphant, Deafheaven, Obscura and more. Check out Josh’s full list in this week’s Initial Descent post here.
Providence, RI vets Daughters released “Satan in the Wait,” their first song in more than eight years. The band also announced they’d signed with Ipecac Recordings, with plans to release an album sometime later this year.
Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Mylingar’s Döda Drömmar and Hendrick’s Gin. Continue reading →
Despite my everlasting love for Colors, it’s hard to say Between the Buried and Me aren’t writing the best music of their careers right now. After the theatrical sci-fi pomp of Coma Ecliptic the band crafted a masterful return to their heavier roots in the two-part Automata, developed as a single album before being split into two halves (for easier consumption?) with Automata I beginning the narrative of a man journeying through his own dreams, which are being broadcast to the world as cheap entertainment. How does it end? Four months later we finally find out with the stellar Automata II, which supplies the back half of the concept with some of the most dynamic, engaging and downright killer music the band has ever produced. Continue reading →
Every once in a while, an inventive style of music full of creative vitriol and an album representative of its sound and ethos comes to encapsulate the character and essence of New York City, captured in time and place. Like music, the City keeps on evolving, mutating, shedding its skin and confronting its internal parasites as part of a grand struggle between a glorious past, the crossroads of the present and the paradigm shift and rebirth looming on the horizon, so bright and violent that it burns retinas. In 2018, Imperial Triumphant take up the torch and joins this lineage with Vile Luxury. Continue reading →