The Path to Paradise Begins in Hell – Doom Metal

The Path to Paradise Begins In Hell

Last month, we dove into power metal and talked about how it was essentially foreign for me until I decided to step outside of what I knew. I also talked a lot about vocal envy and voice mimicry, which has somehow worked for me in learning how to sing. Essentially, power metal is fun, somewhat cheesy, and comforting – like a good chicken noodle soup — it will lull you to sleep and think happy thoughts, or it will amp you up to get stuff done.

Now, for many of us, it’s the holiday season. We spend time with family, friends, and other loved ones to bask in the good things that the year has brought us, eating good food, and having a great time watching movies or doing whatever normal people do during the holidays. However, because of my sense of humor and my rather interesting year, I decided to become the ultimate Grinch and give you all something to cry to. After all, nothing says “Happy Holidays” more than reminding you that we are all, fundamentally, sad people. Let me tell you something: this genre is definitely the opposite of chicken soup.

It’s time we talk about Doom Metal. Continue reading

Profile: Joe Mills of Stoner Doom Metallers Dayglo Mourning

Dayglo Mourning

This Friday will see the release of a split release, Rope Enough For Two, between two titans of doom / sludge / stoner metal from Atlanta, Georgia: Dayglo Mourning and Bludy Gyres and to put it lightly, these two go for broke in keeping it hazy and heavy. Dayglo’s side sounds like a graveyard jam night with the biggest amp stack available and Bludy’s side — one epic track — is a slog through a psychedelic swamp. Tasty! Anyway, just ahead of this massive split we offered up our set of Profile questions to Dayglo Mourning’s guitarist and vocalist Joe Mills so head below to see what he had to say and visit those links to snag your own copy. Continue reading

Interview: Justin Coleman of Krigsgrav on “Leave No Path to Follow,” Getting Personal, and Capturing Moments in Time

Krigsgrav

The singular beauty of Krigsgrav and their latest Leave No Path to Follow is how it updates the template of classic Peaceville doom and forges a deeply personal connection with the listener – no easy feat in this day and age of instant music access.  It’s no secret how much we dug the album, but the constant evolution between albums and the choice to look inward with the new one had us curious to dig deeper, so we reached out to Justin Coleman (guitar, vocals) to give up the ghost on the making of the album and the path the band has and will continue to tread.  Be sure to check out the new album with the embed contained within and turn it up loud as we get into the details.   Continue reading

Second Circle: Glacial Tomb and Pandiscordian Necrogenesis

Second Circle

In Dante’s Inferno, the second circle begins the proper punishment of Hell, a place where “no thing gleams.” It is reserved for those overcome with Lust, where carnal appetites hold sway over reason. In Nine Circles, it’s where we do shorter reviews of new (ish) albums that share a common theme.

Our Second Circle albums all tend to share a common theme, be it genre, mood, or maybe they are being released by the same label, or even just released on the same day.  In today’s case, we hit two of these requirements simultaneously!  I am taking advantage of this format, to the shock and surprise of absolutely no one who knows me, to sing heaps of praise for two new releases dropping this Friday from my favorite record label, the one and only Gilead Media: Glacial Tomb‘s debut self-titled full-length and the second full-length album, Outer Supernal, from Pandiscordian Necrogenesis. Continue reading

Album Review: Morne – “To The Night Unknown”

Morne - To the Night Unknown

With a history that reaches back well over a decade now, it would be wrong to consider Boston-based doom metallers Morne as anything but veterans in their craft. Yet, despite previously releasing three full-length offerings over that span of time, it has still been over five years since Shadows was released to the world. With the release of To The Night Unknown, however, Morne has proven that those days were spent wisely. This latest effort has taken on an improved, more dynamic form than any of its predecessors and is, without a shadow of doubt, the strongest Morne release to date. Continue reading