As far as tech death goes I’m not big on the insane extremes bands like Archspire take or whatever the hell Allegaeon did on their latest album that caused me to give up halfway through. Although experimentation is fantastic, amalgamating sounds and hoping it sounds like tech death is just not something I’m going to put myself through. On the other side of the spectrum, a band who has been MIA for a while should be able update their sound and test what else is out there when it comes to insanity levels and a fretless bass. Thus, when a band like Odious Mortem returns with Synesthesia, I have an expectation of grounded innovation, as if they really took the time to fully plant themselves into what they missed. They did that, but, to an extent. Continue reading
The Dark Souls franchise may own this title, but Aldia’s got nothing on me.
Last year around this time I made a statement, hoping that I would take it easier on the album listening; however, I also said that it would be for naught, as my 2019 release calendar was looking great and I was so excited about it.
However, life has a way of kicking you in the bollocks. Continue reading
It’s been a while (9/19) since I have written something for the column, but real life sucks; between grad school and putting my body through the wringer, priorities shifted and this kept getting pushed back. However, this hasn’t stopped me from listening to music and writing about other things, so we are going to continue the addenda. There are five genres left and then we can finally move on to other genres and whatever else I want to write about, because after two more genres, we might be going into no man’s land.
Also, when this gets published, it might be the new year, so Happy New Year, everyone! Continue reading
When it comes to music, we tend to go for things we already know. Humans are creatures of habit and we enjoy what we like because it’s familiar and it doesn’t require a lot of processing power. After all, it’s easier to listen to an album that we know for sure we are going to like than dedicate time to something that we aren’t sure we are going to enjoy. This was my dilemma with Ad Nemori’s Akrateia, an album that on the surface sounded like something I would enjoy but was hesitant to do so because traditional death metal is not a genre I seek often. However, I enjoy atmosphere on an album — especially when done correctly — so I decided to give this album a go. Continue reading
If a band comes out with a name that reminds you of a country mainly known for its massive metal exports, two things come to mind: a) they’re from that specific country; or b) they’re paying tribute to the country in some way, whether through their instrumentation or through their songwriting. In Thousand Lakes‘ case, a band hailing from Spain, seems to fall into the second category, but they’re also (very pointedly) bringing loads of that sweet Swedish melodeath into the mix on Evolution. Continue reading