Ready for something different, otherworldly, fresh and new? Let me tell you about DROTT and this three-man band’s first full length release Orcus. The band hails from Bergen in the west coast of Norway and is inspired by nature, superstition, and spirituality. The album title is after Orcus, god of the underworld, punisher of broken oaths. While this namesake brings dark themes and undertones, the feel of the album is not as heavy as one might think. Musical style influences include metal, progressive rock, jazz, folk, classical and each influence can be detected throughout these compositions. This makes it hard to classify the release, but I think part of the beauty of the album is that it does not NEED to be classified since it does not fit perfectly into any box and brings a little something for everyone.Continue reading
My first exposure to DVNE came late in the cycle for their sophomore album Asheran, but it was enough to put their crushing blend of sludge and progressive rock/metal onto my end of year list for 2017. It took a few years before appetites were whetted with the Omega Severer single/EP, and now we have the proper follow-up in the form of Etemen Ænka. This one is a little more of a grower, the songs more up front and in your face, but as things start to expand (particularly on the second half) all the reasons I came to love the band in the first place begin to flower.Continue reading
Sweden’s Wolverine have just released their seventh full length, A Darkened Sun, and continue to be on the forefront of the progressive rock/metal landscape with lush melodies, heavy lyrical content, powerful performances, and music that is truly timeless. Along with that list of accomplishments they can now add an audio/visual release that is stunning, to say the least. Head directly below to hear all about it with roughly an hour of conversation.
Do you like riffs? Do you like riffs so much that you feel like what you should do is interrupt riffs to add more riffs? Have you ever said to yourself “this riff needs more riffage”? Well, if that’s the case, I assume you are already familiar with Elder, but if not, Omens continues their riffy trend with cleaner vocals, more synths, and their signature articulate fuzzy guitar tone. They’ve come a long way from their early stoner doom roots with an album that is refined and masterfully produced.
Blast beats to melancholy drumming, tremolo picking to soft folk guitar—top it off with poetic lyrics in different languages growled, sung, and spoken, wrap it all up in a beautifully illustrated package and you get That Same Evergreen I Love So Well, Despite the Way Its Shadows Make Me Sad. The talented NYC duo Duende en la Penumbra brings plenty to the table in this debut album. Their unique blend of genres (black metal, folk, progressive metal, electronic, to name a few) and blend of languages (English, French, Spanish) create something intriguing and ever-changing. Continue reading