The Nine Circles Audio Thing: Necrot’s Luca Indrio on their upcoming album “Mortal,” the importance of hard work, the impact of their debut “Blood Offerings,” Luca’s early days, the Metal vs Racism platform and so much more!

Necrot
Necrot – photo courtesy of Chris Johnston

Bay Area’s Necrot have, in short order, become a household name for those of us that love our death metal sinewy and with tons of blood and guts yet keeping intact the basic tenets that death metal was built upon. Their first full length Blood Offerings saw the band explode with tons of positive coverage and electrifying live shows to back it up. And now with their second offering Mortal they build on this success with an even gnarlier sound that will appeal to not only death metal fans but fans of all metal far and wide. There’s no escaping the hype train for these guys but it is well deserved, this is a band that is building their future by staying true to themselves and working as hard as they can to share true death metal with the masses. It’s vicious, pummeling ecstacy and truly lightning in a bottle as bassist and vocalist Luca Indrio will explain immediately below.
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Profile: Jason Higson of Australian Sludgesters Yanomamo

Yanomamo

For a band that takes their name from an indigenous Amazonian group that is somewhat known for ritualistic endocannibalism, Yanomamo are on brand with slimy sludge and doom ridden psychedelics. Listening to their upcoming fourth EP, No Sympathy For A Rat, it’s hard not to conjure images from movies such as Cannibal Ferox and Green Inferno, right at the moment the subjects realized their fate would be sealed but with the twist that everyone stopped right there and smoked bowls before the atrocities began. It’s abrasive at its core and methodical in its riffs with just enough slow stoner metal thrown in to amplify the dreadful atmosphere they create. Ahead of the album’s release we had the chance to pose our set of Profile questions to guitarist Jason Higson so head directly below to see how it went down and be sure to visit the links contained within to show them some support. Continue reading

Profile: Chris and Aki of Dystopia A.D.

Dystopia A.D.

Long distance relationships have wildly varied results but the recording of New Jersey’s Dytopia A.D.‘s second outing have yielded pretty much gold in the pantheon of proggy technical death metal. Lead guitarist Aki Shishido recorded his parts from Bagram Airfield in Afghanistan while being deployed via the U.S. Army and the results resemble the thunderous sound of war captured in a bottle. The fact that the band employs sax, acoustic guitars, and choirs is not lost on the ambitious and epic feel of Rise of the Merciless, it’s a brawny death metal album with unexpected twists around every corner that works like gangbusters and is, surprisingly, cohesive as hell. Ahead of the album’s release we had the chance to chat with Aki and Chris Whitby via our set of Profile questions so head inside to read all the details and be sure to support them from the links contained within. Continue reading

Profile: Denver, Colorado’s Hydraform

Hydraform

No doubt some truly amazing metal has come out of Denver, Colorado over the years and although Hydraform is not a new name from this scene, they are still a young band with one full length and one recently released, self-titled, EP under their belts. Their sound falls comfortably between accessible modern metal and cranial prog which allows them to set deep hooks early then dazzle with intricate technicality and groove. We recently had the chance to ask the band our set of Profile questions and as you read through their responses you’ll get a feel for where they are coming from and how their influences shape their sound. Be sure to hit the links contained within to show them some support.
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The Nine Circles Audio Thing: Falconer’s Stefan Weinerhall on new album “From a Dying Ember,” closing the book on a 20 year run, future possibilities, who sits at the power metal roundtable, and more!

Falconer

Power metal elicits passion like no other fanbase in metal.  As a genre it’s stuck to its guns of pomp and bombast, technical wizardry and anthemic hooks and carved a truly unique niche that continues to surprise to this day.  And for 20 years over the course of nine albums Falconer have been staunch advocates for forward-thinking, aggressive and righteous metal that never catered to a fad.  New album From A Dying Ember may be the closing chapter of the band, but as you’ll see from our interview with Stefan Weinerhall the future is always filled with possibilities.
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