Denver’s post-hardcore / progressive metal juggernaut Fathers released their self titled debut digitally last year and will be reissuing it on vinyl March 30 via Sailor Records. To that point, we have a contest going on right now that is in its final stages where you can win a copy for yourself, go here to get the details and ENTER! Anyway, I didn’t see nearly enough noise about this album upon its initial release so I’m hoping things will change now. Over the course of nine songs the band weaves a story that screams at those who have been abused, hurt, forgotten or otherwise pushed aside and gives wings for them to fly and be heard. A favorite track is hard to come by here, I thought several times I’d settled on mine but it constantly shifted and to the point that I finally relented and just let the whole album be a favorite. Yes indeed it is that good. Chugging ferocity meets emotional depth and it honestly melted my heart down to a throbbing mass of muscle and blood. Just ahead of the vinyl reissue and our contest winding down we had the chance to discuss our Profile set of questions with guitarist Eddie Maestes and you don’t want to miss his responses. Head inside to see what he had to say and by all means support the band. But also, enter to win that vinyl!
Denver’s post-hardcore band Fathers digitally released their self-titled debut last year via Bandcamp. Its an album that bludgeons one minute with ferocious hardcore infused metal then goes quiet and reflective with post-metal atmospherics the next. But, over the course of 40 some minutes it is a fully enveloping experience that you cannot put down. And one you’ll find yourself returning to over and over again. Not only that, the message the band conveys is an extremely important one; its a rally cry for those that have been hurt or wronged to fight back and realize they can lift themselves up. Sailor Records has announced a vinyl edition of this album set for release on March 30 and for the next two weeks we have an opportunity for two lucky winners to get their own copy. Details inside… Continue reading
Ketchup, catsup, catch-up…it’s all the same here at Nine Circles: stuff is constantly falling through the cracks. And while we’ll have our annual quarterly round-up from the crew coming shortly, I’ve got enough albums I’ve been digging over the last few months that devoting a Nine Circles ov… column felt natural. All of the selections below came from my own interest in the band – this isn’t a list of the releases we receive as promos I haven’t had time to review (that list would be immense and frightnening).
So let’s see what’s on the menu… Continue reading
If you’ve been missing artists that truly go for the jugular in terms of real world lyricism and real world emotions that run the gamut of feels you are in luck because Strangled Light from Less Art has it in spades. Set for release next week on Gilead Media, this post-hardcore beast hits the ground running with musicianship sharper than a brand new knife and as clear as a crisp winter morning. The band features members from Kowloon Walled City, Thrice and Curl Up and Die so unless you’ve been hiding under a rock this combination is absolutely an indication of the quality contained within. Ahead of their debut full length release we got the chance to ask Jon Howell (guitar) our set of Profile questions and as you will see he is as eloquent and gracious in his answers as he is with his music. Continue reading
FINALLY I’m ready to talk about this thing. For those that missed it, there was a killer show at The Great Scott down in the Boston area on June 4th. Mutoid Man toured their delicious new album called War Moans and were opened by a collection of amazing, albeit diverse, acts in Helms Alee, Primitive Weapons, and Summoner. Despite an all-over-the-place weekend that involved plenty of day drinking, family, and a soccer game at Gillette Stadium, I still managed to keep myself together enough to get to one of my favorite small venues in Boston for a truly entertaining show. I also took pictures. Some of which are grainy because… fuck. Anyway. Continue reading