* SPOILERS: it’s gonna be 20 albums…buckle your seat belts.
I told myself this year I was going to take it easy – do the Honorable Mentions, get the final list out, and put 2018 to rest. On a global, national, and personal front the year’s been pretty much a disaster from the start, and the quicker I can put it in my rearview mirror the better. But the more I tweaked and played with my end of year selections (thank you Trello for making that shit so easy) the more I realized that – like always – music was the thing that propped me up and made every setback if not better, at least tolerable. And when the dust cleared from all the list building I found a huge excess of albums that didn’t make my lists but easily could have on another day. Everything is interchangeable; we are not the people we were even a moment ago, and those experiences constantly inform our perspective on the world, metal albums included. Continue reading →
It’s cold and that’s pretty much all I’ve got. Take that as you will. But, you know what warms me up? Another list of metal’s new releases — so, I’m in luck and you are too. Exactly what you are wondering…read on.
The UK’s Deitus return with their blasphemous second full length, Via Dolorosa, which finds the band leaning a little harder on the pure metal side of the black metal spectrum but still intense and still wildly entertaining. Next up, and another I, Voidhanger release, is Devil Worshipper on Music For the Endtimes and being that Ævangelist is in mastermind Matron Thorn’s wheelhouse, expect the same sort of extreme disdain for life, limb and existence as we know it on this debut. Moving right along, and with another D in the alphabet, is Dødsferd on Diseased Remnants of a Dying World which is Greece’s answer to raw black metal with a DSBM bent, and closing out the top slots is a Cronos fronted Venom on Storm the Gates so lay down your souls to the gods rock ‘n’ roll and get venomized — mileage may vary but it’s Venom so, there’s that.
I’m warmed…somewhat, but by the end of this list I’ll be toasty. Get in there and start a fire for yourself. Continue reading →
Greetings once again, y’all. As another week comes to a close, we’ve got another batch of killer songs that we’ve been listening to in our free time to share with you. It’s a crazy time of year for music listening; there’s a push to finish out the year listening to all the albums still coming out in the next three weeks while also going back over everything that came out earlier in the year to flesh out those year-end lists we all love to read (and yell about) so much. For now, forget about deadlines and distractions, and enjoy our weekly present to you. Catch you next week.
Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Cult Leader’s A Patient Man and Angel City Brewing Company’s Speculoos Cookie Beer. Continue reading →
Sickness sucks. I’ve been fighting a damn cold for what feels like an eternity and it just won’t quit. YAY ME. Ugh. But, you know what makes me feel better? Hey WHAT, you don’t care?! FINE. But, I’m saying it anyway because I can: new metal makes me feel better and there’s another heaping load of it this week so let’s hop to it, shall we…
Graf Orlock, who define DIY hardcore punk these days, returns with their fourth full length (and 11th release overall) Examination of Violent Cinema, Volume 1which features inspiration from, you guessed it, violent films released in 2017 and autopsied corpse packaging but really it’s another notch in the belt of a band that defines its own genre in 2018. Viscera/// return with a quick hitter EP in the form of City of Dope and Violenceand it’s a twisted rail of hardcore, sludge and experimentation but a fast trip you’ll want to take. Svartidauði have been through a whirlwind of life happenings in their short existence but that didn’t stop them from releasing a stunning sophomore effort of epic black metal on Revelations of the Red Sword. Last up top this week is the labyrinthine maze of progressive / technical death metal from Zealotry on At the Nexus of All Stillborn Worldswhich is the band’s maiden voyage for Unspeakable Axe, perfect fit.
After that opening four I’m already feeling better. Thanks for your concern…or not. Anyway, you know what to do next. GO. NOW. Continue reading →