Finally re-emerging from the shadows after four years of silence and hard work in the studio, Angellore is releasing their third full-length album. Rien Ne Devait Mourir perfectly presents the French band’s unique metal infused blend of gothic, doom, post-rock, and folk. Angellore’s signature sound paints scenes of venturing around old world France, floating through historic graveyards, and wandering down cobblestone paths into sacred natural spaces. Continue reading
In his 1946 book, Man’s Search for Meaning, Viktor Frankl explores how one could possibly stay sane and focus on the positive while a prisoner in Nazi Germany. Ultimately, he comes to the conclusion that “love is the ultimate and the highest goal to which man can aspire.” On their full-length debut The Arrows of Our Ways, Seattle, WA’s Izthmi sample a reading of Frankl’s work and continue the search for meaning through embracing love against all odds, while blending searing black metal and crushing doom with a healthy dose of melody. Continue reading
It took a while for it to happen, but the weather here in Chicago finally reached the “endless gray and gloom” stage of winter, where every day feels exactly the same and there hasn’t been sunlight in what feels like months. During these periods, I like to lean into the kind of music that embraces that chilly, desolate mood the snow and slush bring, and, just in time, Melbourne’s Arbrynth have released their sophomore album A Place of Buried Light. The album perfectly encapsulates what a Chicago winter feels like: cold, dark but with a subtle hope for what’s next. Continue reading
We’re back with the first official edition of this column in the new year. 2020 is already looking promising for screamo, both in terms of releases as well as recognition. Heavy music-themed burger establishment Kuma’s Corner’s Indianapolis location announced that their coveted Burger of the Month for February will be an homage to Texan screamo rising stars Portrayal of Guilt, an honor that comes with a fried pork chop and pico de gallo slathered all over it. Do Portrayal of Guilt deserve most of the credit for this for being the incredible band they are? Absolutely. Do I deserve some of the credit for focusing my will on bringing screamo into the wider collective consciousness?
Well, I’m not not saying that.
Pats on the back aside, here is more of the screamo you need in your life.
I’m the resident goat guy ’round these parts, so it was my solemn duty to check out any album with the horned beast featured so prominently in the title. Alas, I only see six, and not 666 goats actually carrying (though pulling would be more accurate) said chariot, but despair not, because Bütcher make no pretensions of math being their strong suit. Their trump card is metal, and 666 Goats Carry My Chariot is an almost ridiculous blast of old school thrash and speed: full of bombast, screams and leads that will melt your face and drive you away to dismal cold.
Even though the current logo reminds me of a burning in hellfire Stryper. Continue reading