And just like that, my second (metal) show since the start of The End Times is in the books! This time around, I had the privilege of the covering the Manchester, NH date of the absolutely stacked 2022 edition of Devastation on the Nation. Rotting Christ headlined a massive six band bill, featuring the likes of Borknagar, Abigail Williams, Ghost Bath, Vale of Pnath, and Stormruler. It was a long, hot, exhausting night, but one in which each performance was memorable and well-worth the investment in time. I’ll do my best to highlight the experience without taking up too much of anyone’s time. Here we go…Continue reading
In Dante’s Inferno, the second circle begins the proper punishment of Hell, a place where “no thing gleams.” It is reserved for those overcome with Lust, where carnal appetites hold sway over reason. In Nine Circles, it’s where we do shorter reviews of new (ish) albums that share a common theme.
Black metal continues, as it has from the first time I got my ears around it, to be my favorite genre of metal. For all the trappings and headaches it can offer, there is truly nothing like black metal when it is at its best, so I’m always happy to talk it up when I find stuff that speaks to me, and today we’re having yet another two-for-one sale on this here website. Nechochwen‘s Kanawha Black and Predatory Light‘s Death and the Twilight Hours are very unlike each other in style and ethos, but bound together under the sign of the black mark.Continue reading
I think at this point we’re all aware that the last few years of Cave In’s career haven’t been the easiest. 2019’s Final Transmission looked to be just that: the closing of the final chapter of the seminal hardcore band and the end of a remarkable era. However, as fate would have it, the act of coming together to put the band to bed ended up convincing the foursome that there was still more musical territory to tread. Heavy Pendulum is more than just the first “proper” Cave In release since 2009; it is a celebration of everything the band has accomplished and a showcase of the tricks they still have up their collective sleeves.Continue reading
It’s been a while since I have touched a progressive death metal record – not since Alustrium’s A Monument To Silence – and while I’ve been doing some listening behind the scenes, it struck as odd that I haven’t really been giving one of my favorite death metal subgenres a proper listen. Imagine my delight in finding an album that struck a chord with me the more time I spent with it, becoming more and more experimental and dissonant the further in I ventured. For an album that makes me question where the established line between progression and technicality begins to blur, Sadist’s Firescorched is an impressive feat of musicianship.Continue reading
When I said to keep the concerts coming, I didn’t expect to see another one so soon.
After taking the chance to see The Ocean and Leprous last month, I headed back to the El Rey Theatre to see a favorite band of mine, Amorphis. Other bands on the bill included Hoaxed, a band from Portland who released an EP last year; Sylvaine, who were on their first North American tour promoting Nova; and Uada, a band who I have listened to before but never got into. Given the range of metal genres across all the bands, I expected more people to continue to show up throughout the latter half of the bill. Thus, as soon as I entered, I headed straight towards the front, parked myself there, and held that spot throughout the night.Continue reading