Nasum. For grindcore fans worldwide, this is a name that will live in infamy and a name that will be whispered for evermore. Between their four full lengths, Inhale/Exhale, Human 2.0, Helvete, and Shift, these Swedes became a household name for those of us looking for that extra bit of extreme that the far corners of metal offered if one was willing to seek out. However, with the 2004 tragic Indian Ocean tsunami incident that took the life of frontman Mieszko Talarczyk, the band went silent and rightfully so. They had lost a major piece of the puzzle in a tragic way and struggled with this loss. But, in 2012, what would’ve been the band’s 20th anniversary, they decided to hit 60 cities in a last blast sort of way with Rotten Sound’s Keijo Niinimaa on vocals and Director Michael Panduro capturing their final performance in October of the same year. The results are nothing short of exemplary but no surprises there as Nasum were always exemplary. This is a Christmas gift like no other and I’m giving you all the links below so do yourself a solid and BUY IT. Thank me later.Continue reading
You may recall my absolute mess of thoughts and words from three weeks ago, where I talked about a couple shows I attended at the end of March. Well, we’ve finally reached the second phase of my 2019 concert review installment thingy. (I skipped the first shows I went to for some reason.) Based on the headline above, you might think this little piece only discusses one evening of metal. But oh how wrong you would be. Well, actually only a little wrong. You see, not only was I fortunate enough to attend the Yob, Voivod, and Amenra show at the Royale on the 3rd, but I also had the opportunity to checkout the Portland date of this tour at Geno’s the night before. Let’s talk about those two nights, yeah?
It has been an absolutely insane first quarter of 2019, specifically the last month or so, and I’m only just sitting down to revisit the half dozen or so shows I photographed the first week of April. It’s also been a minute since I actually put pen to paper (finger to keyboard?) and shared written words about any show, so stay with me while I dust off the cobwebs a bit. The absolute sprint that has been the past month really started with the Elizabeth Colour Wheel show on March 23rd, and the subsequent battle with food poisoning that made a video shoot the next day VERY awkward… but that’s a story for another day. Instead, let’s focus these specific words on the incredibly massive Evoken show at Geno’s the following week — a New England exclusive performance, if you couldn’t tell from the poster. Shall we? Continue reading
When it comes to concerts, I try to go to at least one a year. After all, in between school and other events, it becomes rather difficult to catch them sometimes. However, when I heard that Amorphis was coming into town with three other bands I was curious about but never really dealt with before, I knew I had to see them. Thus, I decided to do the only thing I was able to do: prepare myself for a night filled with music by listening to the four band’s latest albums in order to know what to expect.
Of the four, I am most familiar with Amorphis – I had seen them once before as support for Nightwish in early 2012 – so I was expecting a good time from these guys. Seeing the others was a bonus. Continue reading
When it comes to a Deafheaven show, there a few things you can be absolutely sure of. For one, they are going to bring a dope — if not curious — collection of artists on the road with them. Secondly, their performance will exhaust all your energy, regardless of your positioning in the crowd. And finally, the passion and quality of their performance will never, ever, leave you disappointed. Such was the case at the Boston date of this most recent tour with Drab Majesty and Uniform. In fact, out of all the Deafheaven shows I’ve taken in, this one very well may have been the most impressive.