There is definitely something to be said for a band avoiding stagnation. Change is eternal and unavoidable, and to remain in place for an extended period has the potential to make for boring music without passion or excitement. On the other hand, with change comes risk, and metal is a notorious genre for having fans intolerant of change. Of course, you could always go the route of The Lion’s Daughter and completely stop giving a fuck about what people think, just do you, and make maybe the most drastic change imaginable, as perfected on their newest banger Skin Show.Continue reading
Losing L-G Petrov this week hurt like a mother fucker. If there ever was a champion of death metal and loving it, he was it. So, as we always do, let’s turn to music for some solace since there’s some exceptional albums to talk about this week. Do run out, after reading up, and buy all of the ones we chose to speak on and don’t forget to check out the full listing from Monday’s Initial Descent.Continue reading
Denver Colorado’s Primitive Man have been banging out the sickest and gnarliest sludge/doom jams since 2012 and have risen to the top of this heap in very short order. No light, no hope, ear smashing, and soul crushing are all things this band has been doing with aplomb since their debut Scorn. And now, with their third full length Immersion, the band is poised to slaughter eardrums and souls worldwide. They’ve figured out exactly how to build tension and let it simmer to the boiling point and have also figured out how to make it explode into a cauldron of hatred so nasty that many will have a tough time looking inside.
For a band that takes their name from an indigenous Amazonian group that is somewhat known for ritualistic endocannibalism, Yanomamo are on brand with slimy sludge and doom ridden psychedelics. Listening to their upcoming fourth EP, No Sympathy For A Rat, it’s hard not to conjure images from movies such as Cannibal Ferox and Green Inferno, right at the moment the subjects realized their fate would be sealed but with the twist that everyone stopped right there and smoked bowls before the atrocities began. It’s abrasive at its core and methodical in its riffs with just enough slow stoner metal thrown in to amplify the dreadful atmosphere they create. Ahead of the album’s release we had the chance to pose our set of Profile questions to guitarist Jason Higson so head directly below to see how it went down and be sure to visit the links contained within to show them some support. Continue reading
If the opening thirty seconds of No One Wants To Speak About It by Adzes doesn’t immediately hook you, I don’t think we can be friends. Nothing hits the spot like heavy Isis-inspired riffs brutally nailed to a cross of harmonization and beauty. Sludgy and dark, angry and unforgiving, and bearing the unrelenting anti-capitalist and anti-fascist message, it is everything I want in my home-grown one man metal projects.