Profile: Angus McFarland of Hessian

Hessian

Hessian‘s 2014 debut Bachelor of Black Arts is a fist-pumpin’ ode to late 70s and early 80′ heavy metal classics that paid close attention to guitar driven theatrics as much as it did colorful lyrical content. On their upcoming second full length, Mercenary Retrograde, the spirits of Priest and Diamond Head are alive in the guitar harmonies and old school vocals. True, the band did well on their debut but now they’ve stripped away any of the chaff in their sound and focus solely on nailing a raw, straight forward attack. This equates to an album that rocks harder out of the gate and sets its hooks deeper. We recently had the chance to ask mastermind and guitarist / vocalist Angus McFarland our set of Profile questions to get some inside info on the band and what makes them tick. Head directly below for that and don’t forget to grab your own copy from the links contained at the bottom. Continue reading

Profile: Blake Dellinger of Flummox

Flummox

Straight out of Tennessee comes a band that as their label put it in the description of Intellectual Hoolaganism, “You decide the description of Flummox???.” Can’t get much better than that. Seriously, there’s sounds in this album that no one would have ever thought to put together much less make an album’s worth of material with. And the best part, it RULES. Take extreme metal, jazz fusion, doo wop, progressive rock, funk — just to name a few of the double-digit count of different music strains here — and you’ve got something completely unique thats begs exploration. Along the way a funny thing happens, time slips and a spin is done but it’s not enough to even begin to take it all in. That is how Flummox gets you. Just ahead of the album’s release, later this week, we got the chance to ask bassist and vocalist Blake Dellinger our set of Profile questions and most answers are just as out of left field as their music. Don’t miss it and be sure to grab a copy from the links below. Continue reading

Profile: Brian Tarter of Brass Owl

Brass Owl

On Brass Owl‘s self-titled EP, released in June, this power trio shifts gears from stoner metal to jam band to southern rock to blues and back again over the course of seven songs — no matter what they slip into it’s cohesive, catchy and damn memorable. Simply put, hearing traces of Gov’t Mule alongside COC is never a bad thing. Mastermind and guitarist/vocalist Brian Tarter played with Steve Vai back in the 90s and having been in the music game for over thirty years he, obviously, brings a ton of experience and knowledge to the table that, along with his bandmates, shines through every note of Brass Owl. We had the chance to sit down with Brian for more information on him and the band so head below for his answers and click through the links contained within to show them some support. Continue reading

Profile: Desert Rock Dwelling Stoner Metallers – Gramma Vedetta

Gramma Vedetta
Gramma Vedetta

South London’s Gramma Vedetta wants you to understand that their mix of grunge, stoner metal and classic rock is up to date and ready for mass consumption. Checking out their back catalog via Bandcamp (links contained below) it’s immediately apparent that this strain of styles is paramount to the band and their sound. Particularly since we’re picking up some Mother Love Bone, Soundgarden, Pearl Jam and slight Alice In Chains vibes but also a distant Kyuss. If all that sounds interesting, and it should, then definitely check out their latest single “Address Unknown” which was released back in June and with the stream below you’ve got no excuse not to. We had the chance to ask the band our set of Profile questions and in our typical fashion we’re just a bit late with them. No worries though, read on to see what they had to say. Continue reading

Profile: Texan Trio of Titanic Doom – Ripis

Ripis
Ripis

Doom. The one genre where four letters can be as vast as all of the oceans on this planet and invoke emotions as varied as the colors around us. In the wrong hands it can fall rather flat but in the right hands — as is the case with Ripis — it can move mountains. Rolling sound waves, crushing riffs, tar thick atmosphere and lyrics that are the epitome of doom are just a few of the things you can expect on Shadow Dies In Morning Light, the band’s recently released second effort. Hues of Bell Witch color the pacing and shades of YOB highlight the songwriting but for over forty minutes Ripis OWNS this genre, period. This is doom metal in its purest form and it kicks all sorts of ass. After a chance email from the band and subsequent listen(s), we had to know more so we sat down with them armed with our set of Profile questions which you can find immediately below — and PANCHO. Be sure to click the links contained within and support this band in as many ways as you can afford! Continue reading