On June 6th, Polish death metal crew Kult Mogił officially release Torn Away the Remains of Dasein to the world through Pagan Records. And today, we are thrilled to share the album in its entirety right here. Recorded with a new line-up, this album sees Kult Mogił explore a more classic form of the death metal genre. Give it a listen, start to finish, immediately after the jump. Continue reading
Episode 44 of The Nine Circles Audio Thing is all about the Album of the Month for May which is Obsidian by veteran UK gothic/death/doom/metal purveyors Paradise Lost. Buke once again captains the episode joined by Vince, Angela, and Ian, who had the pick for the month!
Grungy, psychedelic rock with a flair for the classics might not sound like it would work, let alone work well. But, in the case of Deepshade, it works like gangbusters. Their second full length, Soul Divider, was released earlier this year and it’s as if they reached back in time to many of the forward thinkers that populated the original Woodstock stage then made several stops along a musical highlight reel along the way back and mixed all that energy with their own brand of laid back rock and just enough heaviness to pack a mighty punch. The band’s sound is a unique one to say the least but definitely a needed sound for today’s increasingly maddening atmosphere as this album is perfect for the weekend good feels or long drives to clear the head—-I’ve done both with it and trust me here. We recently reached out to the band for some answers to our Profile set of questions so head directly below to see how it went down and drop by the links contained within to give them some support. Continue reading
Holy crap, we made it to Episode 40 of The Nine Circles Audio Thing! It may be May, but this here is the Album of the Month for April which is City Burials by veteran Swedish art/doom/metal/anything goes rockets Katatonia. Buke once again captains the episode joined by Vince, Ian, Angela, Charles, and Hera, who had the pick for the month! Continue reading
On the surface, calling a metal band’s newest offering “crushingly heavy” seems a bit cliche. But, in the case of Binary Code’s third full length, Memento Mori, it’s the closest to the truth as can possibly be. The album was born out of a tragic event that left founder/guitarist Jesse Zuretti devastated and with a deep need to find some sort of light, catharsis, and hope. As such, “crushing” is fully captured throughout each pained scream, each hauntingly quieter moment and a heartbreaking, yet beautiful, cover. Beyond that though, this is an incredible album that takes their earlier tech death cues and gels with their more progressive, heavy rock stance of today. We’re calling it their finest moment and highly suggest supporting the band and this album. Plus, the proceeds go to a much needed cause, more on that below. Just ahead of the album’s release we had the opportunity to send Jesse our set of Profile questions but modified it to dig deeper and get a little more personal. He fully obliged with his responses and we can’t thank him enough so, do the thing immediately below. Continue reading