I most certainly do not need to go into detail about all the chaos and confusion that has existed in the world over the past three years. 2022 has been especially filled with new challenges and uncertainties, to the point where now I just throw my hands in the air and laugh as it all keeps piling up. Chaos. And confusion. But those that know me, know that I have few specific pursuits each day that help me keep at least some order in all of this. One of those, of course, is this blog. And a second one is running. Which is what brings us here today.Continue reading
I really wanted to get to this yesterday because there was plenty of good stuff going on, but alas, I guess I’ll share all that a day late.
- For instance, this Katatonia tour with The Ocean is one that I absolutely cannot miss. The dates are in November, and you can bet I’m going to be attending at least one of them. Tickets go on sale this coming Friday.
- Let’s transition to something a little different. In the cybergrind world, we have the latest stuff from Thotcrime, a new track titled “Critical Codependence”, which is streaming over at Brooklyn Vegan. That’s taken from D1G1T4L_DR1FT, which drops on October 28th through Prosthetic Records.
- And then we have The Otolith, a band I had the pleasure of checking out at FITM. Their debut album, Folium Limina is set for an October 21st release through Blues Funeral Recordings. The first single, “Sing No Coda”, can be streamed pretty much anywhere.
- And closing out our Wednesday that feels like it should be a Friday, we have something new from Kampfar. Give “Flammen fra Nord” a listen below. Pre-order Til Klovers Takt right here. That drops on November 11.
“Ein Bier… bitte.”
The pandemic had robbed us of the joys of going to a concert, but with some regulations in force — such as masking and providing proof of vaccination — tours have finally resumed. When I heard that The Ocean was coming into town as support for Leprous on their North American tour, I decided to go, everything else be damned. Given that these bands had both placed high in my EOY lists over the last few years, I was excited (if not a little anxious) to go and see them. I had high expectations for a great show, and — spoiler alert! — they delivered.Continue reading
We’re back, and it feels like Spring is really starting to take a hold. I’ve been re-organizing my vinyl collection the past few days, figuring out just where the hell everything is going to fit and how I’m going to explain to my wife why I need to take over another room before the next stack arrives. First world problems to be sure, but that doesn’t mean I can’t use it to kick off the 225th edition of the Nine Circles Playlist, you know?
We’re gonna kick things off with some of the surprises I’ve discovered the last week, starting with new music from Michael Romeo, who brings the heavy prog I crave from Symphony X on his new solo joint. Anton ups the tech factor with some ripping new Inanimate Existence and follows it up with Luminous Vault and Lustmord collaborating with The Ocean. Josh digs into the dank earth of death metal to give light to Analepsy, Visceral Explosion, and Flesh Configuration before shaking things up a bit with Downcross and Real Steel. Vincent goes wide as usual with the newest single from Devil Master, Tzompantli, Falls of Rauros and deep cut from the Pieces of April soundtrack by Stephin Merrit. Hera returns to the playlist and brings Ibaraki, Ghost, Terzij de Horde, Playgrounded, Sadist, and something I’m assuming is called You May Kiss the Bride? I don’t know..it’s heavy though! Next up is Angela bringing some long awaited new music from Meshuggah as well as Frayle, Amenra, and Bhleg. Once again bringing up rear guard is Buke, and he’s chock full of great stuff, from the new Haunt single to some real old classic Opeth, Morbid Angel, Ripping Corpse, Autopsy, and finally some truly classic prog in the way of the might Emerson, Lake & Palmer.
Get listening. Stay safe. See you next week.
It sure does feel good to be here again! For some reason I can’t quite put my finger on what caused my extended departure from the concert world, but having just eclipsed the two year mark since my last show, the time finally came. Truthfully, it would be hard to pick a better situation for such a return. After Phanerozoic I and Phanerozoic II both topped my lists in their respective release years, it is just too perfect that the first live performance I’ve caught in what feels like an eon was, in fact, The Ocean. And yes, that geologic time scale reference was intentional. Better still, this date at the Brighton Music Hall was headlined by Leprous, who finally got their hooks in me after an absolutely mesmerizing performance. Let’s dive into the festivities.Continue reading