Since every minute of every day in this year of our Lord 2020 seems hyperattenuated to *gestures vaguely at all of this*, you don’t need me to remind you of anything. If you are reading this, you survived, and I hope that continues. While I count mine (and my family’s) survival as the accomplishment of the year, other things I didn’t hate were the Domestikwom EP I put out in June titled Wallowing in Misery, along with launching a full fledged website for fellow Nine Circler Chris and I’s movie podcast Cinema Dual.
I was also able to pull focus long enough to check out some albums this year, and unlike the year that spawned them, I was pretty impressed. Hopefully you find something you like or even something new. Best of luck next year. Continue reading
At this point, what more is there to say about what happened in 2020? I could echo the sentiments of so many others, on this blog and otherwise, but I think we get the idea. I could take this time to lament about the struggles around us, our unsustainable societal structure and all that, but that rant should probably be for another time and place. For now, I’ll just say that my hope is that we can all reflect on the events of 2020 and recalibrate what we prioritize as a society… but I’m not optimistic that will happen. And to all the calendar watchers out there, 2021 won’t magically be better just because it happens to not be 2020. Want things to be better? Make change. That applies to all of us. Status quo sucks anyway.
Enough of that, let’s spin the narrative a bit. As the world continues to burn around us (literally and figuratively), I need to express unrelenting gratitude to all the artists and musicians that continued to perfect their craft over the past several months. Without concerts, and as album sales continue to serve as minimal revenue at best, pausing these pursuits in search of other enterprises would have been understandable. In a year with so much negativity, and so much time away from friends and family, the music I absorbed in 2020 resonated on a deeper level than it has in years. So, thank you, for offering an escape from the daily chaos. A (completely self-induced) pressure to absorb more and more music had taken over in recent years, and as a result my connection to individual records was hindered. A basic quantity over quality concept in listening experience, I suppose. This past year, however, that wasn’t the case. I still consumed an aggressive amount of new music, but the exploration was more curious, and more genuine, than in years past. The result? A stronger attachment to the 2020 releases… which I’m certain will resonate long after we start our 2021 discussions. If there is a bright side to 2020, it’s the realigning, or rediscovering, of our passions and finding new ways to pursue them in the day-to-day. And that’s a mentality I hope to take into the new year.
So let’s dive into my 2020 picks. As always, nine favorites and nine honorable mentions. Side note: I can’t remember a year in which it was this hard to separate a few albums from the greater pack, and that’s probably the result of offering myself the opportunity to truly embed myself in these albums. There was just so much quality presented this year, and delivered over such an expansive spectrum. Just another part of the ridiculous journey that was 2020, I suppose. Anyway…
If you remember from last year, I had this to say as I closed my 2019 EOY list:
In the meantime, 2020 looks to be tumultuous as well, but things are looking up, as I have music to look forward to and scream about at some point. Maybe, at the end of the year, I can tell you if I have succeeded in making more selective choices in music.
2020 gave us a roundhouse kick to the collective bollocks, didn’t it? In my case, it kicked me in the face and didn’t let me listen to anything – this pandemic has been bad for my mental health, and it didn’t help that grad school has continued to essentially take all my time and joy away from me. After September of this year, I just went off the radar musically and I found – much to my detriment – that I could only listen to albums I had originally invested a lot of time in. As such, my favorite albums this year are all touchstones of comfort, albums that I enjoyed heavily throughout the year. However, there is an album that made its way through these touchstones and was able to move to a spot that I didn’t think it would reach.
Welcome back to the pit of despair that has exacerbated my depression EOY list season!
If you’re reading this there are two possibilities at play, either of which warrant a hearty congratulations:
- It’s the end of the year, and you found the strength, courage and forbearance to get through the infested muck that was 2020. Congratulations! I don’t know what 2021 will bring, but let’s put the future aside for a moment and just revel in survival, and talk about some great music.
- It’s an indeterminate time in the future, after the apocalypse, and the collective hive mind has integrated into the data streams and come across this post in a random search string query to ascertain various data points about the distant past. Congratulations! I’m not alive to know what the Time Lords have in mind for the future, but let’s put that aside for a moment and just revel in whatever constitutes life in your existence, and talk about some great music.
Either way, it’s list time… Continue reading
Greetings everyone, and welcome to Best of 2020 season! I know we are all anxiously awaiting another calendar turn, but before we start dealing with Decaying Society: Episode 2021, we have some highlights from the metal world to discuss. And let’s face it, despite the absurdity of 2020 in every sense of the term, there were still plenty of monster releases that graced our ears in the last 12 months. Before we roll into our individual lists, we’re kicking the season off with our combined staff list. First a reminder of how this all works…
Like last year, each member of the Nine Circles staff (well, most of them), chose their nine favorite albums (inclusive of EPs), listed in order, and up to nine honorable mentions. Obviously, branding counts. A scoring system was applied to the rankings. For example, one person’s first place album received 10 points, the second received 9, so on and so forth… and all honorable mentions received 1 point. Then, combining the scores between everyone’s lists, we have ourselves a Nine Circles ov 2020, brought to you by, well, everyone.
One change to it this year, however, is that we’ve also crowned a label of the year, using the same scoring process as above. Clearly the highest honor in the industry. Who claimed this title for 2020? You’ll have to wait until the very end.
Anyway, that’s all simple enough, right? Right. Enough reading, let’s get into it…