This Roadburn Redux keeps getting better. This was somewhat hinted at, but now we have confirmation that there will be a “Pelagic Presents” segment that will feature performances by The Ocean, Crown, Year of No Light, and more. Cannot wait for this.
Tetrarch released a pretty damn heavy new single and video today, titled “Negative Noise”, so we can close with that. That track is taken from Unstable, which is out on April 30th through Napalm Records.
Nuclear Blast has added a new name to their roster. Danish blackgazers MØL have officially signed on with the label. Not too many details have emerged just yet, but it looks like their second studio album, and debut with Nuclear Blast, will be out later this year.
Trial (Swe) are releasing a short 2-track EP on January 29th, titled Sisters of the Moon, through Metal Blade Records. Check out a preview here, and feel free to click that pre-order button if you feel so inclined.
And lastly, a new video from Thy Catafalque. The new clip for “Napút” can be seen below, a track taken from Naiv, which dropped last January through Season of Mist.
Since every minute of every day in this year of our Lord 2020 seems hyperattenuated to *gestures vaguely at all of this*, you don’t need me to remind you of anything. If you are reading this, you survived, and I hope that continues. While I count mine (and my family’s) survival as the accomplishment of the year, other things I didn’t hate were the Domestikwom EP I put out in June titled Wallowing in Misery, along with launching a full fledged website for fellow Nine Circler Chris and I’s movie podcast Cinema Dual.
I was also able to pull focus long enough to check out some albums this year, and unlike the year that spawned them, I was pretty impressed. Hopefully you find something you like or even something new. Best of luck next year. Continue reading →
Ah, the big one. I’ve been looking forward to writing this for a while, but I also can’t help but feel like there’s no way I could possibly put everything I loved about music in 2020 into enough words to satisfy myself. If I had enough time or gumption to make a list that was twenty or thirty albums long, I still don’t think that would be enough. So much great music happened amid the Unpleasantness, and I think more than ever it was worth paying attention to all of it, whether for excitement or escape or transcendentalism or catharsis. For me, losing a twice-daily commute meant that I had to be an active listener to the music I chose to put on, and I think that made the releases that stood out to me stand out all the more. Plus, being a part of the team here has been a literal dream come true, and I had more access than ever to quality releases. Without further ado, here are the ones I’ve fallen for the hardest.
In the meantime, 2020 looks to be tumultuous as well, but things are looking up, as I have music to look forward to and scream about at some point. Maybe, at the end of the year, I can tell you if I have succeeded in making more selective choices in music.
2020 gave us a roundhouse kick to the collective bollocks, didn’t it? In my case, it kicked me in the face and didn’t let me listen to anything – this pandemic has been bad for my mental health, and it didn’t help that grad school has continued to essentially take all my time and joy away from me. After September of this year, I just went off the radar musically and I found – much to my detriment – that I could only listen to albums I had originally invested a lot of time in. As such, my favorite albums this year are all touchstones of comfort, albums that I enjoyed heavily throughout the year. However, there is an album that made its way through these touchstones and was able to move to a spot that I didn’t think it would reach.
Welcome back to the pit of despair that has exacerbated my depression EOY list season!