[glances at album artwork] Mmm…yes…the ’80s are strong in this one.
[snaps out of trance] Oh! Hey everyone! Welcome back to another edition of Retrocution. It’s been, perhaps, a bit longer than I’d like — life, am I right? — but it’s finally time to kick it retro-style again. In this week’s edition, we’re going to take a look at Phases, the latest album from SelloRekT /LA Dreams.
Welcome back to another edition of Retrocution! Yes, more than five months after our most recent edition of this column — during which your writer finished school, passed his licensure exam and, oh yeah, realized he needed a break from metal something fierce — we’re back to continue spreading the gospel of ’80s-loving electronic goodness. To (re-)kick things off, let’s take a closer look at We Are Hypersensitive, the latest album from the prolific French act, AWITW.
So, I was looking back at my year-end post from 2017 the other day, and I had to laugh. As you may recall, I opened said post with a little self-pat-on-the-back for finally making good on my pipe dream of taking in less music. (I listened to 165-170 albums over the course of the year, which is still a shit-ton, but it was down significantly from years’ past.)
Well, my count this year will make that one blush. As of this moment, my “2018” folder on Spotify – the place I archived playlists for all the albums I really sat down with and took time to enjoy – consists of just 91 playlists. And that’s from albums across all genres, not just metal. Continue reading
Hey, we’re late again! A little less late than last time, but…still late! Huzzah! Anyway, we’re back with another edition of our Album of the Month series. In this edition, we’ll be chatting about A Forest of Stars and their latest effort, Grave Mounds and Grave Mistakes — our album of the month pick for September! Continue reading
After what feels like an eternity in the “development” stage — damn you, nursing school! — we’ve finally gotten our Retrocution column going here at Nine Circles. And damn, does that feel killer. I’ve gotten to a point in my music listenerdom where I’m listening to as much of this stuff as I do metal, if not more — and my attempt to build out this column certainly isn’t going to change that trend.
But, one thing said attempt has done is, it’s gotten me to look back at exactly how I got into this stuff. For a long time, I couldn’t — or never really tried to — pinpoint that. If asked why / how I got into the genre, I’d give a generic answer about “the aesthetics” or something, and just shift the topic to the genre’s latest offerings. And to be fair, “the aesthetics” are certainly part of the equation — but the music is the truly important part, and I’d never given any real thought to my foundations on that side.
So, let’s change that, shall we? Without further ado, I present The Nine Circles ov How I Became a Synthwave Fan. Continue reading