Man, it’s been a while since I did one of these. I think I pulled a muscle just typing that last sentence. But, our fearless leader Josh is taking a very, VERY well-deserved vacation, so you’ve got me for this edition. I’ll try not to disappoint too much. Lucky for you, (maybe?) there are some bands I know releasing stuff this week! We start with Saor, who returns with full-length No. 5, Origins. I still fondly remember the early days of this blog, when Corey and I didn’t know about folky black metal and thus promptly had our minds blown by the band’s then-new album, Aura. Good to see ’em back. Let’s see, who else… oh! Khold! Pretty sure I know them! The Norwegians return with their first full-length slab of black metal in almost eight years. Not into black metal? How about some good, old-fashioned Swedish death? Well, good news: Paganizer is also back this week! We also have a highlight that… isn’t really metal, per se, but still kinda exciting: the first reunion album from Canadian post-hardcore legends Alexisonfire. That’s just four highlights, so you know what to do from here: hit the link below and peep the full list!Continue reading
Let’s get the long and short of this review out of the way right off the bat: if you’re a fan of stoner heavyweights Wo Fat, you’ll likely be well aware of — and hyped as fuck for — The Singularity, the band’s first full-length in nearly six years. After all, the Texas trio possesses an immense scope and abundance of god-tier stoner riffs, which combine to make each new release feel like a proper event. When you hear rumblings from the House of Wo Fat, you get pumped — it’s that simple. And guess what? On The Singularity, the band continues to make damn good on all that hype.
Those looking for a bit more than the TL;DR version? Read on…Continue reading
Yes, we’re a wee bit late, but who’s really keeping track here? Chris and Dan are back for their annual recap of the best in NOT-metal. And as you’re all well aware, “NOT-metal” can cast a pretty wide net. We’ve got entries from the worlds of R&B, jazz, country-pop and even prog here for you to sink your teeth into. (And others! Lots of others!)
So grab a few beverages and jump on in — you’ll need a few, ’cause this is a long one!Continue reading
Episode 102 is upon us! After an extended time away, Chris and Dan rejoin Lord Goldenvoice himself, Buke, for a rousing, back-and-forth-and-back-again discussion of their “desert island picks” — the albums they’d want to be their Wilsons if ever stranded in the South Pacific. (Or South Atlantic. Or maybe even Indian. We don’t discriminate here.)
In any case, the crew — henceforth to be known as The Power Trio™ — covers a wide net, with everything from jazz to progressive metal to classic hip-hop getting a seat at the proverbial, uh… log next to the signal fire? There’s also a mention of the band Orgy, which is one more mention of the band Orgy than there should ever be in a Desert Island albums chat. But, we digress.
So grab a seat and at least one adult beverage, ’cause this is a long one. Enjoy!
Keep it heavy,
I’m not gonna lie, it feels kinda weird to resurrect my Retrocution column for the first time in more than a year… with an artist who, by his own account, has been actively trying to move away from “conventional” synthwave for a while now. But for James Kent, I’ll make an exception.
After all, Kent’s work as Perturbator was one of my earliest exposures to synthwave. I wouldn’t be anywhere near as big a fan of this music — maybe a fan at all — if not for Dangerous Days. So even though my tastes within the genre have since shifted a bit more toward the pop end of the spectrum, I tend to listen whenever Kent drops something new — conventional or otherwise. And in the case of his latest effort, Lustful Sacraments, the listen proved to be quite an excellent one.Continue reading