Let’s get the long and short of this review out of the way right off the bat: if you’re a fan of stoner heavyweights Wo Fat, you’ll likely be well aware of — and hyped asfuck for — The Singularity, the band’s first full-length in nearly six years. After all, the Texas trio possesses an immense scope and abundance of god-tier stoner riffs, which combine to make each new release feel like a proper event. When you hear rumblings from the House of Wo Fat, you get pumped — it’s that simple. And guess what? On The Singularity, the band continues to make damn good on all that hype.
Those looking for a bit more than the TL;DR version? Read on…
Yes, we’re a wee bit late, but who’s really keeping track here? Chris and Dan are back for their annual recap of the best in NOT-metal. And as you’re all well aware, “NOT-metal” can cast a pretty wide net. We’ve got entries from the worlds of R&B, jazz, country-pop and even prog here for you to sink your teeth into. (And others! Lots of others!)
So grab a few beverages and jump on in — you’ll need a few, ’cause this is a long one!
Episode 102 is upon us! After an extended time away, Chris and Dan rejoin Lord Goldenvoice himself, Buke, for a rousing, back-and-forth-and-back-again discussion of their “desert island picks” — the albums they’d want to be their Wilsons if ever stranded in the South Pacific. (Or South Atlantic. Or maybe even Indian. We don’t discriminate here.)
In any case, the crew — henceforth to be known as The Power Trio™ — covers a wide net, with everything from jazz to progressive metal to classic hip-hop getting a seat at the proverbial, uh… log next to the signal fire? There’s also a mention of the band Orgy, which is one more mention of the band Orgy than there should ever be in a Desert Island albums chat. But, we digress.
So grab a seat and at least one adult beverage, ’cause this is a long one. Enjoy!
I’m not gonna lie, it feels kinda weird to resurrect my Retrocution column for the first time in more than a year… with an artist who, by his own account, has been actively trying to move away from “conventional” synthwave for a while now. But for James Kent, I’ll make an exception.
After all, Kent’s work as Perturbator was one of my earliest exposures to synthwave. I wouldn’t be anywhere near as big a fan of this music — maybe a fan at all — if not for Dangerous Days. So even though my tastes within the genre have since shifted a bit more toward the pop end of the spectrum, I tend to listen whenever Kent drops something new — conventional or otherwise. And in the case of his latest effort, Lustful Sacraments, the listen proved to be quite an excellent one.
Another month down, another mess of ridiculous new album titles to cover in Cursed Imagery. May was interesting in that there were a number of different reasons for inclusion in this months column. We’ve got some of your standard “just bad” album covers, but then we’ve also got some that I decided to throw in because I liked the band name. Or because I liked the album name. Hell, there’s even a bonafide good album cover in here — albeit one that merited a bit of fun-poking via a highly appropriate Parks and Rec gif.
Anyway, we’ll get to all that in due time. Or in other words, “right now.” Let’s jump in!