In case you’ve been hiding under a rock for quite some time, the name Kevin Hufnagel should stir some excitement when heard. The man has been a guitar god for many bands — Dysrhythmia, Gorguts, Sabbath Assembly and Vaura just to name a few — for awhile now and those only scratch the surface of what he’s done and been involved with. Obviously, any mention of new work from Kevin is highly anticipated and his latest solo effort, Messages To the Past, is a love letter for us listeners and fans as to just how damn talented he is. Our very own Chris Voss recently offered up a full review, which you can read here so don’t miss that complete rundown and don’t miss his very enthusiastic answers to our Profile questions and some important news below. Don’t forget to hit the links and support Messages To the Past if you haven’t already done so. Trust me, you will not be disappointed. Continue reading
Happy 4th everyone. Initially, there was a thought of holding this until after the holiday but listening to and experiencing Imperial Triumphant is equivalent to the most dazzling fireworks display ever. So, we rolled with it. The band will be releasing their newest sonic adventure, Vile Luxury, next week via Gilead Media in the US and Throatruiner in Europe. Experiencing Vile Luxury is somewhere along the lines of rolling up to a late night 60s style jazz club and witnessing a collaboration with your favorite black / death metal band. Only, this black / death metal band just happens to be one of the best examples of what avant-garde, progressive, and downright visionary really means. It’s carefully controlled chaos that shines a dark light on their theme of society’s — particularly their own home turf — downfall and through the use of extremely packed song structures they carve a bleak picture yet keep listeners returning for more since there’s simply no way to dissect this beast on one or even ten listens. Even more than that, Vile Luxury is the most cohesive effort from the band to date. Yes, true statement.
I could go on and on but I’m calling it there. Keep an eye out for a full review in the coming days. Until then, we recently had the chance to ask Kenny Grohowski (drums) and Zachary Ilya Ezrin (guitars, vocals) our set of Profile questions to dig a little deeper into the band. Check it out below and be sure to grab your own copy from the links contained within.
Steeping away from our standard Profile, today we are featuring a twofer or double or dos attack (however you want to look at it) of bands, Barren Heir and Cokegoat, who have just released their collaborative and independent split Sunshine / Tracing Light. It’s an extremely forward thinking sludge and doom affair that kicks like a mule one minute and plays with tension / release the next. Simply put, this is six tracks of music you need in your life. As luck may have it, Nine Circler Vincent just featured this split right here so be sure check that out in full. We recently had the chance to ask our set of questions to Barren Heir’s drummer Nick LaRocca and Cokegoat’s guitarist / vocalist Jeff Wojtysiak so head inside to get the scoop and hit the links to support the bands. Continue reading
For a band that consists solely of two members that play a nine string guitar and dual drum kits respectively, Seattle’s Pound make one hell of a sweet racket. Set to release their debut full length, Pound, in July via Silent Pendulum Records this duo will readily lay to rest any doubts of reading a descriptor such as “mathy grind over ridiculous grooves with a pinch of doom and a techy heart.” Yes, there is quite a a lot thrown together here but the seamless way guitarist Ryan Schutte and drummer David Stickney string it all together, cohesive and hypnotic are words that float right to the front of the brain. I’ve said before that an instrumental band absolutely has to give it all to keep attention spans and Pound do this in spades. We recently had the chance to sit down with Ryan armed with our set of Profile questions to find out what makes the band tick and he knocked it out of the park for an extremely interesting read. Check it out below and don’t forget to hit the links and grab a copy for yourself. Continue reading
Folk metal has a tendency to be an insular, European-centric genre, particularly so at the intersection of folk and black metal. But looking past the acts that have gained mainstream attention yields many and sundry iterations of folk metal as diverse as the cultures across the world that make them. Since 2008, Saudi Arabia’s AlNamrood have blended black metal’s staunch anti-religion focus and dark aggression with the folk melodies and instruments of their native Middle Eastern home. Ahead of the release of their newest album, 10 Years of Resistance, AlNamrood’s vocalist Humbaba was gracious enough to answer our set of Profile questions. Read on below the cut.