Blood Red, AUDIO EDITION: Episode 2 — “Verotika” (2019)

Verotika-collage

We’re back, baby! A multitude of events in this increasingly dystopian world of ours forced us to sideline Blood Red for… [checks notes] …three months… but now, with less than a month until the return of the annual Hooptober horror film marathon, we return with a doozie of a discussion on a highly entertaining, not-quite “horror,” not-quite-“film.”

It’s Verotika. The thing we’re discussing is Verotika, Glenn Danzig’s 2019 directorial debut.

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Cult of Lilith’s Mario Infantes on new album “Mara,” employing odd instruments, meaning of Necromechanical Baroque, Cult of Overthinking as an alternate band name, and so much more!

Cult of Lilith

Iceland’s Cult of Lilith are technically a young band in the sense that they only have one EP available but with the release of their impending full length debut Mara they stand to crush it in the death metal scene with a sound that’s akin to modern heavy weights in the scene but with their own unique take on it and unique use of odd instruments to firmly place the exclamation mark on it all. Harpsichord, 80s style synth, and intriguing songcraft make this band stand out from the crowd like an orange flag in a sea of black.
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Exist’s Max Phelps on new album “Egoiista,” life for the band since their last album, advantages of longer songs, music teaching, Chuck Schuldiner’s lasting legacy, and so much more!

Exist

Baltimore, MD’s Exist have a deep lineage across the metal spectrum and with some of the most heralded bands in history. So it should come as no surprise they’ve made a splash since their mid 2000s debut or that they’ve shared tours with many elite bands. Their first two albums were an encyclopedia of how progressive metal is done and now with their third, Egoiista, ready to roll they, yet again, hold a masterclass in how to stay atop this crowded genre and dive deeper into their own mechanics to make this junior effort their best yet. Continue reading

The Nine Circles Audio Thing: Primitive Man’s Ethan Lee McCarthy on new album Immersion, their mind blowing live experience, being louder than anyone else, early influences, and so much more!

PRIMITIVE MAN

Denver Colorado’s Primitive Man have been banging out the sickest and gnarliest sludge/doom jams since 2012 and have risen to the top of this heap in very short order. No light, no hope, ear smashing, and soul crushing are all things this band has been doing with aplomb since their debut Scorn. And now, with their third full length Immersion, the band is poised to slaughter eardrums and souls worldwide. They’ve figured out exactly how to build tension and let it simmer to the boiling point and have also figured out how to make it explode into a cauldron of hatred so nasty that many will have a tough time looking inside.
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