Floridian death metal. Those were the three words I was presented with when a friend sent me the Bandcamp link to Crypteria’s recently released full length debut, Crypteria. Based on my roots in this particular branch of death metal I was hooked after just one spin and the infection has grown ever since. So obviously, I had to know more and reached out for some insight and to find out what led them to exploding off the starting line with such a, pardon me here but, banger. Guitarist Austin Burleigh and bassist Kevin McCombs answered the call – the results of which can be heard below. Before you leave, don’t forget to hit the links contained within to grab a copy for yourself but don’t blame me if it rules your listening habits for awhile. Continue reading
We are cutting it *waaaaaay* close on this one. But we did it, folks…by golly we somehow picked ourselves up by our bootstraps and delivered another edition of our Album of the Month series. This time the gang got together to discuss the technical chops and marvels of Beyond Creation and their latest offering to the technical death metal world, Algorythm — our album of the month pick for October! Continue reading
Hey, we’re late again! A little less late than last time, but…still late! Huzzah! Anyway, we’re back with another edition of our Album of the Month series. In this edition, we’ll be chatting about A Forest of Stars and their latest effort, Grave Mounds and Grave Mistakes — our album of the month pick for September! Continue reading
It’s almost October, and…we’re late with this! Blame Dan the Nurse. (Sorry, we mean “Dan the almost-nurse.”) But, just in the nick of time for our one-month-late AOTM schedule, we’re back with our chosen highlight from August: Bummer‘s Holy Terror! Continue reading
On Saturday, Metallica‘s landmark album, …And Justice for All, will celebrate its 30th anniversary. Originally released in 1988, the album is notable for many things: for the band’s exploration of its progressive side; for their foray into music video-making, with “One”; and of course, for the near-complete lack of low-end through the entirety of the record. (#justiceforjason #woke #replacementbassistsneedlovetoo)
It is also notable for being an enormously successful and influential album, and a tremendous cap for the band’s unimpeachable early-era. So, naturally, we wanted to talk about it.