Staking claim to the Philly/Delaware corner of stoner rock is the five piece known as High Reeper and they have set November 3 for their independently released self titled debut. It’s an album full of Sabbathian riff worship mixed with the kind of DIY ethos St. Vitus was known so well for in their early days (think Born Too Late). The power of the riff definitely compels this band as they bend and mold each one with an unfettered ease generally reserved for the more seasoned vets. But on top of that they keep a mean groove throughout and the vocals remind of early Ozzy so there’s that, and it doesn’t hurt a bit. Today we have a premiere of lead off track “Die Slow” and it’s all of the above and much more so dive in to take a listen. Continue reading →
Rolling in late (or early depending on your viewpoint) after a huge gathering of many people and many treats from local breweries means I’m satisfied and ready to hunker down with some of this list at maximum volume. And with the amount of releases this week that could take awhile…lucky thing for us it’s the weekend. Let’s get to it, noise rock purists Dodecad kick things off this week in the noisest and best way possible with their third effort Contempt and trust me when I say: if you’re even remotely a fan of noise rock you NEED this album immediately, it is that good. Next up is the debut, The Imprisoning War, from symphonic black metallers Hate Moon, and it’s the perfect balance of brute force and sweeping melodies. Moving along is Moonlight Desires with Just the Hits 1981-1985 and while this may not be the typical top slot candidate this album is an epic ton of fun with plenty of scorching rock theatrics, right now we all could use some fun and an opportunity to just let the rough side drag so let this album serve as such. Closing out the opening few is the dark americana EP Stands With Death from The Dark Red Seed, personally I’m a fan of all things King Dude and this EP scratches that itch as well as shares a guitarist with said Dude, highly recommended. There you have it, the lead off four but as usual we are nowhere even close to done. Pull up a chair and stay awhile, it only gets better from here. Oh and if you don’t like something or if you do let us know in the comments or don’t, but definitely enjoy. Continue reading →
Noise rock was a logical spin off of punk as the focus was more on the abrasive/aggressive sounds. Much like any genre, noise has seen its share of divisions and branches but still, at its core, the abrasiveness that punk got across through highly charged lyricism, noise rock does with distorted guitars and experimental yet jagged song structures. Missouri’s Dodecad are astute grads of the original, and highly lauded, noise rock class and on their third effort Contempt their aggressive experimentation collides very successfully with a patience we’ve yet to hear in their songwriting. As a result they have an album’s worth of some of the best and most varied material we’ve heard thus far. Continue reading →
Hailing from Fresno, CA, Elder Devil dropped a nuclear debut of grind/crust/sludge back in May titled Graves Among the Roots — six tracks of razor sharp hate best consumed at maximum volume. And the artwork, as you’ll see below, was done by none other than Ethan Lee McCarthy from Primitive Man. Since Elder Devil sound like a sped up version of that band it is definitely fitting (more on that to come). Band submissions are a good thing and this release hit our inbox sans label and sans PR but it kicked like a mule, needless to say we were impressed and had to find out more about the band and album. So we sent over some questions and as you’ll see below they were more than gracious with their answers. Read on to see what they had to say and hit the link to purchase this amazing debut. Continue reading →
Atlanta, Georgia based TORO self-released their debut EP, Departure, back in March and in case you missed it, today you can rectify that. If you count the heaviness of Anciients, the prog approach of Crack the Skye era Mastodon and the crushing weight of doom metal as some of your favorite things then this EP should be in your ears, pronto. If anymore persuasion is needed, Matt Bayles manned the mixing. The doom/prog/rock concoction this five piece has put together is nothing short of amazing for a debut and truthfully the sky’s the limit moving forward. We recently had the opportunity to ask Zack Hembree (vocals) our set of Profile questions, read on to see what he had to say.