Saturday Nite Conformity, debut full length from Hosemen, has been out since April and in case you missed out, here’s your chance to get in on the ground floor of a band that finds unique ways to bend and smash genre boundaries further than they already are. Seamlessly covering 90s alt-rock and grunge with a fleeting nod to the old NWOBHM guard and even the kind of goth that newcomers Idle Hands blew up with as well as a strong The Cure vibe. A mouthful for sure but Hosemen make it sound easy throughout this amazingly cohesive set of seven tracks. Awhile back, we reached out to mastermind, guitarist and frontman Anthony Quinn Carpanzano with our set of Profile questions and he was gracious enough to respond with some deep insight into a lot of things. Head directly below to see how it went down and don’t forget to grab your own copy from the embedded links.Continue reading →
Wisconsin’s Cold Black River had a straightforward approach back when they formed in 2013: “We wanted to craft a stripped-down heavy sound with doom metal influences, decent hooks and vocals you could hear and understand.” Six years and four releases later they’re closely adhering to that statement and it shows on their most recent effort Tales of Death & The Devil, released digitally last year and now sees CD release on June 14. Their music is the slow burn type of doom; bluesy and smokey with vocals that are smoother than a perfect steak and a side of top shelf bourbon. They’ve been building to this and have finally pulled it all together into a cohesive firecracker of an album. In an effort to learn more, we recently had a chance to pose our set of Profile questions to the band and they were gracious with their time in answering but also gracious enough to give other bands some etiquette tips. Keep reading to see how it went down and head over to their Bandcamp page to snag a copy for yourself.Continue reading →
It’s a little known fact that Black Sabbath has influenced so many bands over the years (KIDDING) but exactly what bands do with this influence makes music, and metal in general, interesting. The Hÿss take it on the hip as a base to start from and add a mean punk attitude, hazy stoner vibes, and some serious blues licks that could rouse the dead. On top of all that, their second effort Hound is head and shoulders above 2017’s demo for god snakes. That demo, while establishing the band in the doom and blues arena, didn’t showcase the breadth of their talents or capabilities but here, all the pieces congeal into a heaving mass of electrifying and thunderous metal. If you need additional incentive to check it out, Pete Grossman recorded and mixed while Brad Boatright (Audioseige) handled mastering. We recently had the chance to pose our Profile questions to drummer Mike Scales to get some info and between food trucks, Beavis & Butthead, and the Grateful Dead he offered up some nuggets. Check it out immediately below and don’t forget to snag a copy of Hound from the band. Continue reading →
Saw Cloak, Withered, and Goatwhore over the weekend. It was ridiculously good. I’m still tired. Alright then, new metal is on tap and plenty of it to go around so let’s do this.
Icelandic black metallers Misthyrming are upon us once again with second full length Algleymi and expect another knockout of an album full of living and breathing personality that is cold, intense, and perfectly temperamental. Next up is a cavalcade of crusty rawness on Hexhammaren, the seventh studio album from Martyrdöd, that comes off feeling larger than anything they’ve done to date – strong words but right around the second track you’ll understand. Steamrolling right along we’ve got New England’s nasty death thrash dealers Rancorous with their second demo Stealth Dominion and if early Slayer and Kreator gets your juices flowing then GET ON THIS. Last up top is debut full length De Val from Dutch black metallers Verwoed and not even their last two EP’s can prepare for this multi layered and heavily atmospheric assault, don’t miss it.
For clarity; I am ridiculously late with this thing AND to this band. But the beauty of it is that on a recent journey up through the mountains and backroads of SC and NC, purposefully lost, “Who Lives Who Dies Who Cares” – second track off Come, Annihilation from Seattle’s punk/hardcore/metal trio Prison – came up in a random playlist and I was floored. So much so that I stopped the car and dove in like a fiend looking for that next fix. A full three spins later — it’s an EP man, 11 minutes to get through — I still couldn’t pick my jaw up off the rocks of the overhanging cliff I was, by this time, numbly peering off of. It’s got that feeling of some sweaty ass basement punk show, the kind you never can seem to find anymore. It’s equal parts grunge, noise, punk, hardcore and metal but most of all it’s that diamond in the rough that forces you to stop, put everything down, and take in all its glory (similar to the first time I heard the Melvins). As stated, this is way late so back in March we had the chance to shoot over our set of Profile questions to the band for some details and Kris (drums) responded with some enlightening answers and a boatload of recommendations so head below for an interesting read and please get yourself a copy from the links provided.Continue reading →