I love a good EP, especially one that is so enjoyable it demands repeat listens. Add to the fact that this EP is short enough that I can listen to it whenever the mood strikes, and you’ve got yourself something worth its weight in salt. Lately, I’ve been listening to a lot of Hypocrisy, so finding something in that vein is always a treat and when Archaic Decapitator’s The Apothecary came to my attention, I was intrigued. Combining elements of melodeath and prog, The Apothecary hits the ground running, immediately giving off an expansive, melodic experience even though it has a short run time. Continue reading →
With seemingly ALL the good stuff hitting the inbox on a daily basis it’s getting harder and harder to pick the top slots. Which means we’re having a stellar year so far, hard to argue with that. But, please argue or tell me I’m wrong. That’s the way now, right? Whatever. 2019 is shaping up damn nicely and it’s just April. Read on, there’s a lot to get to.
Poland’s Mord ‘A’ Stigmata have a tough hill to climb after 2017’s Hope and this year’s hit comes in the form of Dreams Of Quiet Places which finds the band experimenting with synths and solitude but make no mistake, black metal is still the backbone and this band still rules. Next up is the anomaly called Waste of Space Orchestra comprised of heavy hitters (look them up) that teamed up for the psych metal / mind-bending / thought provoking Syntheosis which is as epic in music as it is in scope and themes, go and experience this. Moving along, if you’re a fan of Zimmers Hole you will be a fan of West of Hell (if you’re not already) and on Blood of the Infidel Chris Valagao’s voice is still a metal treasure and the thrashing good time just doesn’t quit. Can’t let this one end without giving a shout out to Periphery who pretty much fly a middle finger to all the broisms of metal on Periphery IV: Hail Stan – try to look at that and not see Satan. But more than that, this is their heaviest release to date while still clutching the grandiose feel of Coheed & Cambria.
Enter below and enjoy all that is this week. And, do feel free to comment with all the “2019 blows thus far” or “what are you smoking” and I’ll be over here cranking the likes of Moon Tooth, Venom Prison, Mastiff, WOORMS, so on and so forth, so loud that I can’t hear your whining.Continue reading →
Ohio’s Ghost:Hello recently released a self-titled, two-track EP that’s in the psychedelic metal realm with its nod to the cosmos but shares plenty of space with fuzz and stoner metal as well. Previous to that, the band released a single, “The Mouth of the Gift Horse,” which leaned heavier on punk attitude, sludge, and hardcore. As you’ll read below, a full length is in the works so it’ll be interesting to see how this trio will flesh out these sounds or if they’ll go in a completely different direction. In the meantime, we recently had the chance to ask bassist and vocalist William Jennings our set of Profile questions to get a little background on the band so head directly below to get the scoop.Continue reading →
First full week of this time change and I already feel better. Under the guise of having a hard time with it, did you miss anything we had last week? Go back and research but do, at the very least, catch our February album of the month chat for Ithaca’s The Language of Injury, and I’ll make it easy for you – link here. New week and new metal, GO.
Leading this charge is NY’s Sigils with their spine tingling doom debut You Built the Altar, You Lit the Leaves, its soaring melancholy meets occult themes and personal backstory makes for a splendid experience. Next up, Gods Without Name from Aoratos (new offering from the mind behind Akhlys) is a whirling maelstrom of black metal with a terrifying atmosphere, no surprise here from Naas Alcameth. Moving right along, Tempel who combine good-time old school metal, rock and hardcore for a sound that’s, well…, a damn good time on Tempel. Last up top is California’s Tryptamyne who recently found a home for Tryptamyne with upstart label Vargheist Records and since the label deals in a niche corner of the extreme, this blend of grind and progressive elements with an experimental flair is a perfect fit.
One listen to “Faceless” is all it took to hook us completely on Sigils debut full length You Built the Altar, You Lit the Leaves. Pallbearer and YOB are the obvious RIYL jump off points but those only scratch the surface of the emanations from a band that’s endured a world completely devoid of feeling for anyone or anything different from what is tragically considered the norm. These four songs are occult, haunting, lonesome, methodical and strangely uplifting at the same time but always seem to be reaching for the stars like a young kid would reach for understanding of such a large and unknown world. And the fact that the album was recorded and mixed in a house that’s been in guitarist Tom Colello’s family for four generations just lends a personal touch to the proceedings that no one else can even get close to. Ahead of the band’s debut we had a chance to pose our Profile questions to Tom and vocalist Salvatore Rex to get their backstory so head below to see what they had to say and whatever you do, don’t miss this album. Links are included to help out in this endeavor.Continue reading →