Had an interesting and funny conversation amongst the staff last week (our water cooler conversations are always golden) regarding tech death versus technical death metal which led into the myriad of varying genre tags. Out of nowhere came “I consider Judas Priest heavy metal, all else is just metal” which is accurate and great and made me roar with laughter – score. Really, it is that simple if you think about it…and then it’s not, everyone wants to know what they’re getting into up front. Either way, get into what this week has to offer.
To say I’ve been carried away by Moon Tooth’s Crux is the understatement of the year – it’s rock, it’s metal but most of all it’s MEMORABLE which is something we don’t get enough of these days so by all means, get yourself a copy STAT. Next up is the debut, Something Wicked Marches In, from Vltimas and I knew to expect a pummeling mixture of death and black metal based on the membership here but I didn’t count on this thing being as addictive as it is. Sliding into some nastier territory is Triumvir Foul with their blend of bestial black, death, and noise on Urine of Abomination, definitely drink this one in folks. Last up top is the third full length, Departed Souls, from Boston’s Magic Circle who show that a four year gap doesn’t mean a thing when a band can churn out doomy heavy metal as good as this, another MUST own so do that.
Those four could be the entire week but ALAS, there’s much more. Get in there with all the grind, death, core, post, black, rock, atmospheric, symphonic, heavy, power, instru-metal…I could go on for days. But I won’t.Continue reading →
A couple of items to touch on from last week: If you missed “Black Brick” from Deafheaven, definitely rectify that and same for “12 Years In the Tomb” from Saint Vitus. They both rip and don’t @ me, all my shits to give are gone.
New business this week — and there’s plenty of it — starts with a rousingly heavy debut album, They Came With Sunlight, from Norway’s atmospheric sludge metal trio Sâver and for a young band, the sound here is massive and so meticulously created it took me completely by surprise. Next up is Rituals of Power from the destructive death metal denizens in Misery Index and even though it is, at times, disjointed and slightly off in sequence it still will cause bruised necks and damaged eardrums. Moving right along, Cloaked Climax Concealed may only be two tracks but the atmospheric death / doom 0N0 presents within is hallucinogenic, otherworldly, and all-encompassing at the same time. Last up top is the debut, Demiurgus, from the star-studded membership of Equipoise and based on the lineup, it’s no surprise to hear the vast, jaw dropping array of technical and progressive death metal they’ve conjured up – inject it straight in the veins.
First of all, thank you Festerday for your name, as it has been a blast having to almost rage break my computer for every time it autocorrected your name to Yesterday. Also for your album name, which constantly has me pronouncing it “Italian!” (exclamation included) even though it is, in fact, called Iihtallan. All is forgiven, though, as once I actually play your music I am greeted by the sweetest of Swedish death metal of the old school variety, filtered through the dank and depraved lens of your Finnish heritage. In other words, good stuff. Continue reading →
We are cutting it *waaaaaay* close on this one. But we did it, folks…by golly we somehow picked ourselves up by our bootstraps and delivered another edition of our Album of the Month series. This time the gang got together to discuss the technical chops and marvels of Beyond Creation and their latest offering to the technical death metal world, Algorythm — our album of the month pick for October! Continue reading →
Every so often you come across an album draped in vivid details and haunting melodies that it makes you forget what you were doing. Those are the kinds of albums that make you miss your exit when driving or forget where you were going all together. The introspective listens on a cold winters day while drinking coffee (or whiskey) type albums. Sylvaine’s third full length album, Atoms Aligned, Coming Undone, is one of those albums. Continue reading →