Literally no one said ‘hey, I want to read this lengthy ass intro of blah blah’s and yada yada’s’ when there’s a mountain of metal to get to. So, shall we?! I know, it’s Monday. But still, LET’S DO IT.
When I think of power metal, what I really think of is the thrashy classic metal leaning sort that Atlanta’s Paladin provide on debut full length Ascension. After being head over heels with their previous pair of shweeet demos, this surpasses my expectations and brings a mile wide grin. Weeping Choir, the fourth full length from Full of Hell, touches on nearly every facet of the band’s busy history and is one of their most ferocious outings yet; grind, death, noise, experimental, the list could go on but you get the idea and you know they rule so, do that – choirs will definitely weep. Lo-Pan just continue to be one of the most exciting bands in heavy rock today and on Subtle they put an exclamation mark on that statement and are anything but subtle. Last up top is the legendary Saint Vitus with their first full length in seven years and ninth overall, Saint Vitus, AND with Scott Reagers back behind the mic. Personally, I was stoked for this thing and even though it’s not one of their best it is very good and I’m enjoying it. Your mileage may vary, etc etc.
Had an interesting and funny conversation amongst the staff last week (our water cooler conversations are always golden) regarding tech death versus technical death metal which led into the myriad of varying genre tags. Out of nowhere came “I consider Judas Priest heavy metal, all else is just metal” which is accurate and great and made me roar with laughter – score. Really, it is that simple if you think about it…and then it’s not, everyone wants to know what they’re getting into up front. Either way, get into what this week has to offer.
To say I’ve been carried away by Moon Tooth’s Crux is the understatement of the year – it’s rock, it’s metal but most of all it’s MEMORABLE which is something we don’t get enough of these days so by all means, get yourself a copy STAT. Next up is the debut, Something Wicked Marches In, from Vltimas and I knew to expect a pummeling mixture of death and black metal based on the membership here but I didn’t count on this thing being as addictive as it is. Sliding into some nastier territory is Triumvir Foul with their blend of bestial black, death, and noise on Urine of Abomination, definitely drink this one in folks. Last up top is the third full length, Departed Souls, from Boston’s Magic Circle who show that a four year gap doesn’t mean a thing when a band can churn out doomy heavy metal as good as this, another MUST own so do that.
Those four could be the entire week but ALAS, there’s much more. Get in there with all the grind, death, core, post, black, rock, atmospheric, symphonic, heavy, power, instru-metal…I could go on for days. But I won’t.Continue reading →
A couple of items to touch on from last week: If you missed “Black Brick” from Deafheaven, definitely rectify that and same for “12 Years In the Tomb” from Saint Vitus. They both rip and don’t @ me, all my shits to give are gone.
New business this week — and there’s plenty of it — starts with a rousingly heavy debut album, They Came With Sunlight, from Norway’s atmospheric sludge metal trio Sâver and for a young band, the sound here is massive and so meticulously created it took me completely by surprise. Next up is Rituals of Power from the destructive death metal denizens in Misery Index and even though it is, at times, disjointed and slightly off in sequence it still will cause bruised necks and damaged eardrums. Moving right along, Cloaked Climax Concealed may only be two tracks but the atmospheric death / doom 0N0 presents within is hallucinogenic, otherworldly, and all-encompassing at the same time. Last up top is the debut, Demiurgus, from the star-studded membership of Equipoise and based on the lineup, it’s no surprise to hear the vast, jaw dropping array of technical and progressive death metal they’ve conjured up – inject it straight in the veins.
First of all, thank you Festerday for your name, as it has been a blast having to almost rage break my computer for every time it autocorrected your name to Yesterday. Also for your album name, which constantly has me pronouncing it “Italian!” (exclamation included) even though it is, in fact, called Iihtallan. All is forgiven, though, as once I actually play your music I am greeted by the sweetest of Swedish death metal of the old school variety, filtered through the dank and depraved lens of your Finnish heritage. In other words, good stuff. Continue reading →