CANTO: Enslaved, Deathwhite, Woorms, and More

 

enslaved.2.17.18.56

Boston tomorrow. Lots of things to share tonight.

  • I caught this late last night, so I obviously need to share it today. Migration Fest 2020 details. The Gilead/20 Buck Spin festival dropped the first round of bands for next year, and highlights include Falls of Rauros, Yellow Eyes, False, and Vastum. If you follow either of these labels, those names won’t surprise you. But that doesn’t make it any less exciting!
  • Deathwhite has revealed that their next album, titled Grave Image, will be out on January 31st through Season Of Mist. I really enjoyed their debut, and if the first single from this effort is any indication, we could be in for another tremendous listen in a couple more months.
  • More album updates. Remember that killer album from Woorms that dropped just this past January, titled Slake? Well, we get even more Woorms this coming March. Twitching, as Prey will be released through The Hospital and Sludgelord Records. Here’s a new track, called “Silence and the Saints”. Pretty sure the album name in the caption is wrong but what are ya gonna do?
  • In case anyone needed an Enslaved update, I’m happy to report that they have re-signed with Nuclear Blast. They’ve been working together for about a decade, with excellent results I might add, so this is a good thing. With the announcement, the band also dropped a music video for “What Else Is There”. That particular number is a cover of the Röyksopp song and features as a bonus track on E.

“Ein Bier… bitte.”
– cmb

CANTO: Carach Angren, Epica, Death Tribe, and More

Epica8.31.5

Halloween Canto! Which means literally nothing.

“Ein Bier… bitte.”
– cmb

Initial Descent: October 20 – 26, 2019

Cloak

Went on a ghost walk last night and even though we didn’t run into any, it did make me think about Ken Foree’s iconic line in the also iconic 1978 Dawn of the Dead film “When there’s no more room left in hell, the dead will walk the earth.” In my estimation, we’ve got to be hurtling towards max capacity down there. Soooo, food for thought and I’ll leave it at that. But before you think on that too much, dive into this new list of metal we’ve got up for grabs – that’s why we’re here so let’s burn it down…

Atlanta’s Cloak offer up their second full length and it betters their debut with larger than life rock swagger, seedier gothic undertones, deeper hooks, and blacker black metal – Cloak rules. Period. Speaking of ruling, Vastum does it again on their filthy, debauchery filled fourth death metal expedition, Texas based Cleric bring even more filthiness with their second full length of classic sounding Swe/Fin/Dutch inspired death metal, and the absolutely electrifying heavy metallers Savage Master are back with their third epic concoction. You need all of these and there’s still a ton more to follow, GET SOME. Continue reading

Receiving the Evcharist: 1349 and Noah’s Mill

Receiving the Evcharist 2018

Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations.  Drink from the cup of heresy. This week’s offering: 1349’s The Infernal Pathway and Willett Distillery’s Noah’s Mill Bourbon.   Continue reading

Initial Descent: October 13 – 19, 2019

1349
1349 – photo courtesy of Dmitry Valberg

While the rest of civilization is knee deep in pumpkin spice, we’re knee deep in extreme metal and crusty horror flicks. Don your costumes and get the old plastic pumpkins ready, we’ve got tons of metal candy to hand out. Let’s do it…

For their seventh album, black metallers 1349 revisit the chaotic and thrashy nature of Hellfire and it’s like spiked arm gear buried elbow deep in some unsuspecting angel’s throat, put that in your pipe and smoke it. Oregon based deathgrinders, Rank and Vile, get the lead out with eight new tracks of piss and venom. It’s short, to the point, and kicks ass – ‘nuff said. Shrine of Insanabilis swiftly swing the black metal axe and conjure up an even better album than their debut… wait, what? It’s true, seek it out. NecronomicoN have always had a unique sort of operatic take on death metal and this tradition continues on their sixth full length which just so happens to be perfect for a dramatic exsanguination. Alright then, you know what’s next. Seek out the music and DESTROY your wallet. Continue reading