Forêt Endormie’s Jordan Guerette on new album Une voile déchirée, Using French as a Lyrical Basis, Pandemic Effects, Fire In the Mountains, Handling Creative Overlap Between Bands, and so Much More!

Foret Endormie

Portland Maine’s Forêt Endormie recently released their second full length Une voile déchirée which sees the band further their vision of apocalyptic chamber folk with the theme of place and how it relates to each individual that experiences it for themselves. Since 2016, their music has been unique in not only sound but in the effect it has when enjoyed in the right setting. Head below for an amazing conversation surrounding this album and a ton more!

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Lik’s Niklas Sandin on new album “Misanthropic Breed,” Pandemic Effects, Swedish Death Metal, the Power of the HM2 Pedal, Jazz, and so much more!

Sweden’s Lik have just released their third full length Misanthropic Breed and stand to crush it in the Swedeath scene with a sound that is instantly recognizable yet inherently unique. It’s heavy as hell yet deep in the pocket with fellow countrymen of the same ilk.

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Cult of Lilith’s Mario Infantes on new album “Mara,” employing odd instruments, meaning of Necromechanical Baroque, Cult of Overthinking as an alternate band name, and so much more!

Cult of Lilith

Iceland’s Cult of Lilith are technically a young band in the sense that they only have one EP available but with the release of their impending full length debut Mara they stand to crush it in the death metal scene with a sound that’s akin to modern heavy weights in the scene but with their own unique take on it and unique use of odd instruments to firmly place the exclamation mark on it all. Harpsichord, 80s style synth, and intriguing songcraft make this band stand out from the crowd like an orange flag in a sea of black.
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Exist’s Max Phelps on new album “Egoiista,” life for the band since their last album, advantages of longer songs, music teaching, Chuck Schuldiner’s lasting legacy, and so much more!

Exist

Baltimore, MD’s Exist have a deep lineage across the metal spectrum and with some of the most heralded bands in history. So it should come as no surprise they’ve made a splash since their mid 2000s debut or that they’ve shared tours with many elite bands. Their first two albums were an encyclopedia of how progressive metal is done and now with their third, Egoiista, ready to roll they, yet again, hold a masterclass in how to stay atop this crowded genre and dive deeper into their own mechanics to make this junior effort their best yet. Continue reading

The Nine Circles Audio Thing: Primitive Man’s Ethan Lee McCarthy on new album Immersion, their mind blowing live experience, being louder than anyone else, early influences, and so much more!

PRIMITIVE MAN

Denver Colorado’s Primitive Man have been banging out the sickest and gnarliest sludge/doom jams since 2012 and have risen to the top of this heap in very short order. No light, no hope, ear smashing, and soul crushing are all things this band has been doing with aplomb since their debut Scorn. And now, with their third full length Immersion, the band is poised to slaughter eardrums and souls worldwide. They’ve figured out exactly how to build tension and let it simmer to the boiling point and have also figured out how to make it explode into a cauldron of hatred so nasty that many will have a tough time looking inside.
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