In the hallowed halls of modern power metal, Judicator hold a special place. Over the course of three albums they’ve held the banner high for the genre, emphasizing strong, intricate songwriting that balances passion and power, unafraid to incorporate different styles into the mix but always in service to the song. New album The Last Emperor only lifts that banner higher, building off of everything that came before even as it sets itself apart from its predecessors and what the rest of the community is doing. It’s exciting, technical without feeling staid, and an instant contender for end of year lists. You can read our own Power Metal Frank’s take on the album, which I happen to be in complete agreement with, so when the opportunity arose to talk to Tony Cordisco and John Yelland I jumped at the chance.
There’s some great stuff to unpack here, so without further ado check it out after the jump. Continue reading →
Denver’s death metal trio Of Feather and Bone have come along way since their 2012 inception and furthermore since they began as a crusty hardcore band. Their first full length was as in your face as it could’ve been with attitude for eons. But with their 2016 Demo the band had an about face into the netherworld of death metal that garnered fans across the globe and good luck finding your own physical copy. Two years later Bestial Hymns of Perversions sees the band capitalizing on everything that was so freaking great about that Demo; heavy as lead death metal, atmosphere that causes the stomach to ball up in knots and a keen sense of the genre as a whole. These seven tracks sound as though they’ve been unearthed from some dusty crypt that’s been buried for twenty plus years. The trick here is the fact that this band isn’t some fly by night copycat of the glory years, this sounds as fresh as a new born zombie with an acute taste for blood. Ripping leads meets pinch harmonics meets absolute ferocity and the results speak for themselves. This album is not one you’ll want to miss. Just ahead of the album’s release we had the opportunity to speak with bassist and vocalist Alvino to discuss Bestial Hymns of Perversion, its atmosphere and Denver’s metal scene. Keep reading to see what he had to say. Continue reading →
South Africa’s Crow Black Sky has been around for nearly ten years. Pantheion was released shortly after their inception and then…silence for the next eight. Thankfully, this silence was broken last month with their second full length Sidereal Light: Volume 1 which will be the first in a series of exploratory releases. Merely judging from both albums, the band would seem tough to pin down, genre wise, as Pantheion sounded more like melodic death metal with a slight nudge towards black metal yet Sidereal Light is expansive, epic and stunning atmospheric black metal. After hearing this new album I had to reach out to Gideon Lamprecht (guitar, backing vocals and writer) to find out more about the new album, their larger than life concepts and what was next for the band. Head inside to see what he had to say. Continue reading →
Following on the heels of three successful and wildly varied full lengths, Brooklyn based Netherlands will be releasing their new EP, Hope Porn, on February 9 via mastermind Timo Ellis’ new imprint Records and Tapes Records. Hope Porn isn’t as far a departure from Audubon as the hard driving Silicon Vapor was from the spastic Fantasmatic but it is some of the catchiest and more immediately accessible work the band has done to date. Which simply means the joy encountered after hearing the overwhelming energy across these six tracks is palpable. Odd time signatures, hooks big enough to hang a bridge from and excellent songwriting all come together to form a cohesive juggernaut that settles in your brain and refuses to leave — a good thing, trust me. Ahead of Hope Porn we had the opportunity to talk to Ellis about the new music, embracing ‘the loud’ and his new label imprint, among many other things. Head inside to see what he had to say and don’t forget to support the band while you’re at it.
California’s Disastroid recently released their latest album Screen which has a strong footing in both noise rock and sludge but highlights their love of energetic rock ‘n’ roll, grunge and catchy songwriting. They’re a hard band to pin down but as you’ll read below, they are more than ok with that. Since forming in 2007 each release introduces yet another side of the band and puts a brighter spotlight on each of these three members varied roots in music but across all their releases both heavy and appealing are the unifying factors. I recently had the chance to ask the band about Screen, how they comfortably blur genre lines and about their DIY approach. So head inside to see what they had to say and be sure to give them a listen. Continue reading →