Finally. Freaking. Friday.
“Ein Bier… bitte.”
If you are at all familiar with our Nine Circles Audio Thing podcast, you’re most likely acquainted with (and probably tired of) my constant refrain of, “I just don’t like prog, dude.” We’ve been covering a lot of progressive stuff on our recent Album of the Month episodes, between February’s Intronaut and our recent Katatonia episodes, so I’ve had a lot of reason to make my feelings on the subject known. But, if you look at any of my year end lists, you can see quite a number of albums on there that are, without question, prog metal albums of some degree or another. Most famously, last year’s Waste of Space Orchestra album won my heart despite being very prog heavy, and breaking my “I don’t like albums longer than an hour” code as well. So when it comes down to it…do I actually not like prog? And if I do like it, why do I spend so much time maligning it? These questions gave me a lot of thought, and with nothing better to do during a quarantine than pick apart my own psyche, I decided to at least be scientific about the process and write it all down. What’s to follow is something of a primer about what makes an album ‘Prog That I Like’ versus ‘Prog That I Don’t Like’ and is inspired by four albums, of this ilk, I’ve listened to lately. Continue reading
Episode 33 of The Nine Circles Audio Thing is for the February Album of the Month pick which is Fluid Existential Inversions from L.A.’s Intronaut and it’s another stellar stop on their journey that’s taken them from sludge to atmospheric post-metal to truly progressive metal and everything in between. But, one thing is, and has been, abundantly clear about the band; each new album sees them actually progress in lieu of stagnate. Because of that, the conversation was all over the place but a deep discussion was had and resoundingly everyone liked it to one degree or another.
Well friends, this may be it, with nothing to do but sit at home and listen to tunes while the world dies around us. So for the three of you (or less) who actually listens to these: I salute you, and deliver unto you the soundtrack to our apocalypse. Not much else to say, I just hope there’s still people to write for next month.
Ambient synth and soundscapes from Unreqvited’s latest EP starts us off, and leads seamlessly into Jaern’s stoner doom. Then we crank it up with some excellent tech death courtesy of Xenobiotic, which flows into the intense blackened melodic death of KVAEN. Sons of a Wanted Man follow with wonderful blackgaze chased by the experimental synths and sludgy black metal of Tombs. Speeding it up, we have riffy prog from the new Intronaut, and then we wrap with a couple of atmoblack tracks from Skyforest and Cult of Fire respectively. Continue reading
Content is lacking these days. Makes me sad.
- 1349 have announced a very brief run of headlining shows here in the U.S. this coming May. There are only four dates, and support will be in the form of Pulchra Morte.
- I like when booze and metal collide. See also: I like… always? Anyway, The Night Flight Orchestra have revealed both a signature wine and rum. Plot twist: it’s a rum barrel-aged riesling… and a champagne barrel-aged rum. Both created in cooperation with Phantom Spirits.
- Couple new videos to share today. The first comes from the recently-reviewed-on-Nine-Circles Intronaut. This clip is for the track “Speaking of Orbs”. A reminder (you probably don’t need) that Fluid Existential Inversions dropped last Friday through Metal Blade.
- Horn are back! The German black metallers are bringing a new album our way in 2020, titled Mohngang. That will be out on May 15th through Iron Bonehead. Check out the first single, “Satt scheint der Sud der Tat”, right now.
“Ein Bier… bitte.”