Video Review: Nasum — “Blasting Shit To Bits”

Nasum. For grindcore fans worldwide, this is a name that will live in infamy and a name that will be whispered for evermore. Between their four full lengths, Inhale/Exhale, Human 2.0, Helvete, and Shift, these Swedes became a household name for those of us looking for that extra bit of extreme that the far corners of metal offered if one was willing to seek out. However, with the 2004 tragic Indian Ocean tsunami incident that took the life of frontman Mieszko Talarczyk, the band went silent and rightfully so. They had lost a major piece of the puzzle in a tragic way and struggled with this loss. But, in 2012, what would’ve been the band’s 20th anniversary, they decided to hit 60 cities in a last blast sort of way with Rotten Sound’s Keijo Niinimaa on vocals and Director Michael Panduro capturing their final performance in October of the same year. The results are nothing short of exemplary but no surprises there as Nasum were always exemplary. This is a Christmas gift like no other and I’m giving you all the links below so do yourself a solid and BUY IT. Thank me later.

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Tombs’ Mike Hill on new album “Under Sullen Skies,” working with Season of Mist, making music from a fan’s standpoint, refining sound, and so much more!

Tombs are on the eve of releasing their fifth full length Under Sullen Skies which is much like biting the head off a rocket and reveling in the burn of the explosion. No surprise really, the band have been incendiary since their debut Winter Hours and just get better and better with each release. This album however finds them better and more vicious than ever. It’s not a stretch at all that they’ve already been placed high on one specific best of 2020 list and we are certain they’ll be on many more to come. Head below to hear Mike break it all down.

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Profile: Simon Langford of Cult Burial

Death metal is having a banner year with established bands releasing comebacks, new bands making their mark, and fans of the genre are reaping the benefits of all of it. And with banner years come market saturation so for an up and coming outfit to really leave a mark, it’s not enough to just have a good death metal album. Enter London’s Cult Burial with their self-titled debut and what you’ll find is a band unafraid to employ weapons of sludge, doom and post-metal but also put a spotlight on stellar guitar work. The scattering of quick solos, the odd riff breaks, and well timed arpeggios all signal that Cult Burial is not your average death metal band and make it a point to stand out with stellar musicianship and songwriting abilities. The flow of the album is such that it draws attention by never staying with a train of thought across any two tracks but in totality is a very cohesive piece of work and a shocker, then, that this is just their full length debut. Just ahead of the album’s release we had the chance to pose our set of Profile questions to guitarist and drummer Simon Langford so head below to see how it went down and be sure to visit the links contained within to show them some support.

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Receiving the Evcharist: Drouth and Sum Sum

Receiving the Evcharist 2018

Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Drouth’s Excerpts From a Dread Liturgy and LA Ale Work’s Sum Sum.   Continue reading

Album Review: The Black Dahlia Murder — “Verminous”

The Black Dahlia Murder - Verminous

The Black Dahlia Murder has emerged from the sewers of the heavy metal underground, after three long years, with an absolute banger.  Verminous is a ten-track, 36-minute long event that instantly gets the adrenaline going and the fists pumping while exploring a slime covered wonderland.  This might just be the best album the band has released due to its compositional variety, heavy lyrical subtext, and overall musical mastery while still hitting hard and fast in classic The Black Dahlia Murder fashion. Continue reading