I’m a simple man. I see a Nordvis promo and I click it. We all have our labels that we’ve come to instantly associate with quality in our heads, and for me it doesn’t get much better than the Swedish label’s self-styled brand of “poor music for poor people.” I haven’t yet met a release of theirs that I didn’t appreciate, and I certainly didn’t see that trend stop when I picked up Ödhin, the newest release from Swedish folk/black metal duo Bhleg (who may just have the best name on the scene right now).Continue reading
Black metal. The most controversial of all the metal subgenres. Be it arson, national-socialistic views, suicide and even murder—black metal has seen it all. Yet amidst the craziness of the 90s and the (largely) Norwegian 2nd wave scene, there has been a certain staleness that has crept into the music. Satan just isn’t as cool, nor as much of a figure of defiance as he used to be. In that sense, black metal is having a bit of an identity crisis and it’s perhaps a fitting time to ask ourselves what black metal really is—from a more philosophical point of view. In this introduction/interview series we’ll be taking a look at some bands that are taking the idea of black metal and doing something fresh with it. At the end we may find some conclusions, but experience suggests we’ll just end up with more questions.Continue reading
A blinding flash of light scans across the sky, arriving with it, an explosion of heat so intense that destruction ensues immediately, leaving only smoke in its wake. London’s Oldblood released their debut EP, Arms to the Sky which is themed around the atomic bombing of Hiroshima in 1945. There is most certainly a dark, crushing, heaviness to this album given the subject matter that is reflected both in the lyrics and music. Arms to the Sky is a skillfully done production that is powerful, moving, gritty, and brings so much intense blackened doomy goodness to one four-track EP.Continue reading
It seems a lot of metal bands these days enjoy playing with subgenres and creating hybrid sounds. I love the creativity of these groups and their courage to explore the space and make something unique. Australia’s Empress is one of those experimental bands and their latest release, Wait ‘Til Night, is an alluring combination of shoegaze, doom, indie, post-metal, and black metal. This album is dark yet delicate, haunting, and dreamy. The band’s signature sound is fine tuned in this, their sophomore album.Continue reading
Each year I take a break from writing about metal on this site to regale the 10-12 of you who read Blood Red with reviews on horror films from every corner of the globe. Different sub-genres, different themes…vastly different modes of execution.
Kinda like metal, no?
Anyway, I’ve managed to vaguely keep up with some of what’s been going on in the extreme metal scene a bit, with different sounds catching my ears when I wasn’t knee-deep in Evil Dead homages and terrible, terrible remakes of mediocre horror films. So for this edition of Nine Circles ov… I wanted to say a few (very few – I’m tapped at the moment after writing over 16,000 words on horror movies) words on some metal that wasn’t coveted here on the site, but managed to stick in my ears long enough to register as something I dug.
Without further ado, let’s dive in. Continue reading