The Spirit’s Matthias Trautes on new album “Of Clarity and Galactic Structures,” and much more!

The Spirit just released their third full length of cosmic black and death metal, Of Clarity and Galactic Structures, and as expected, it rules. The edges are sharper, the riffs are more violent, and the cosmic aspect is more up front and center. Plus, it helps that they really paid attention to how memorable the songs are this time out as well as the pacing of the album. All in all, we’d say this is their best yet. Buke recently sat down with vocalist and guitarist Matthias Trautes for a wide ranging discussion surrounding the new album and how it came to be. They also discussed the music scene in and around their homebase of Germany, the value of good production, Matthias’ origins into playing music, and so much more. We now bring you this conversation in its entirety so grab your beverage of choice, a seat, and enjoy.

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Concert Review: Devastation on the Nation, 5.6.2022

And just like that, my second (metal) show since the start of The End Times is in the books! This time around, I had the privilege of the covering the Manchester, NH date of the absolutely stacked 2022 edition of Devastation on the Nation. Rotting Christ headlined a massive six band bill, featuring the likes of Borknagar, Abigail Williams, Ghost Bath, Vale of Pnath, and Stormruler. It was a long, hot, exhausting night, but one in which each performance was memorable and well-worth the investment in time. I’ll do my best to highlight the experience without taking up too much of anyone’s time. Here we go…

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Second Circle: Nechochwen and Predatory Light

Second Circle

In Dante’s Inferno, the second circle begins the proper punishment of Hell, a place where “no thing gleams.” It is reserved for those overcome with Lust, where carnal appetites hold sway over reason. In Nine Circles, it’s where we do shorter reviews of new (ish) albums that share a common theme.

Black metal continues, as it has from the first time I got my ears around it, to be my favorite genre of metal. For all the trappings and headaches it can offer, there is truly nothing like black metal when it is at its best, so I’m always happy to talk it up when I find stuff that speaks to me, and today we’re having yet another two-for-one sale on this here website. Nechochwen‘s Kanawha Black and Predatory Light‘s Death and the Twilight Hours are very unlike each other in style and ethos, but bound together under the sign of the black mark.

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Concert Review: Hoaxed, Sylvaine, Uada, and Amorphis, 4.30.2022

When I said to keep the concerts coming, I didn’t expect to see another one so soon.

After taking the chance to see The Ocean and Leprous last month, I headed back to the El Rey Theatre to see a favorite band of mine, Amorphis. Other bands on the bill included Hoaxed, a band from Portland who released an EP last year; Sylvaine, who were on their first North American tour promoting Nova; and Uada, a band who I have listened to before but never got into. Given the range of metal genres across all the bands, I expected more people to continue to show up throughout the latter half of the bill. Thus, as soon as I entered, I headed straight towards the front, parked myself there, and held that spot throughout the night.

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Egregore on new album “The Word of His Law,” letting the music do the talking, and more!

Egregore
Image courtesy of Max Montesi

As far as debuts go, The Word of His Law from Canada’s Egregore is a masterclass in black and death metal shrouded in mysticism, death, and occult themes. The use of synth, chanting, and even neofolk serve as vessels to enhance the experience and make for a unique outing. Buke recently sat down with Egregore to discuss the new album and how it came to be. They also discussed the band’s musical journeys, as well as the importance of letting the music speak for itself and preference for the listeners to draw their own conclusions and opinions about it. We now bring you this conversation in its entirety so grab your beverage of choice, a seat, and enjoy.

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