This is what I remember about Noisem when they hit the scene with their debut Agony Defined back in 2013: Death/thrash/grind played by a bunch of young upstarts. Loved the classic 80s era cover, didn’t care for the music. Everyone and their brother proclaimed the band as the “next big thing” with the arrival of 2015’s Blossoming Decay. And it was…fine. Nothing that compelled me to put them on a pedestal. But lo and behold four years later brings a new album I’m told I NEED to listen to and, what do you know? Cease To Exist manages to finally get me to sit up and take notice by making good on the promise of those awesome album covers. Continue reading →
For those that missed it, the Westboro Baptist Church protested the election of Danica Roem to state legislature. No surprise there because, ya know, they’re the worst. The fun part? Randy Blythe countered their protest with… kazoos. And it went super well! He’s such a treasure.
Rain. Rain. More rain. I just can’t deal. Soooo tired of it and ready for dry and summer and longer days. Well, one out of three ain’t bad and if you read that and said ‘dammit, totally forgot to spring forward on my clock’ good luck explaining that one to the boss – happy Monday. We have a fix for the blahs though and it comes in the form of new metals. Read on friends…
It’s safe to say we’ve established Venom Prison as complete bad-assery and on Samsara they kick their venomous death metal up several notches since their last outing – is that even possible?! Anyway, everything about this album topples Animus and that’s no easy feat nor is it a slight to that album in any way, the band has grown and it’s obvious during the opening salvo of “Matriphagy.” Moving along, Noisem returns with a new lease on life and a new attitude on Cease To Exist which finds them stoking their death thrash with extremely confrontational grind and it’s a sound to behold. Next up is the debut, Nocebo, from MA’s Elizabeth Colour Wheel and the blackgaze tag seems too simple after the onslaught of 90s rock, noise and ethereal moments of bliss found all over this thing – it’s hard to pin down but it is a journey best left travelled and enjoyed, I very much have enjoyed it – just sayin’. Last up top is progressive death metal stalwarts Fallujah with their fourth full length Undying Light which finds them, once again, toying with tech death, blackened stylings, and proggy structures – definitely a step up and one you won’t want to miss.
Feeling better? See? I knew it and glad we could help. You’re welcome. Now, get to the rest of this list… Continue reading →
Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Ossuarium’s Living Tomb and Sierra Nevada Brewing Company’s Brut IPA. Continue reading →
Botflies. Old Scratch’s botflies. Shiver me timbers that was a rough one to get away from and all of a sudden I’m a pirate. Last week I was a bit predisposed but I’m back basically because Old Scratch wants his music on display. And that, we do and do well. Exactly what you might be wondering…read on, dear reader…
In Gladiator, Russel Crowe asked ‘are you not entertained?’ and because of Plague from the UK’s Mastiff I will now ask ‘are you not entertained by the heaviness?’. Seriously, this band finds new ways to make sludge, hardcore and grind heavier than a really heavy thing. Ossuarium continues the heavy theme but in an old school nasty death metal vein on Living Tomb, Tennessee’s Thetan bring the power and the violence and the hardcore on sophomore effort Abysmal, and Unendlich hit the right combination of melodicism and second wave black metal on Thanatophobia.
Now, if I can just keep those botflies from ruining my hard drive…dive in below while I find an electric fly swat. Continue reading →