You wouldn’t normally think of India as the first place for some heavy, Lovecraftian inspired doom metal. After all, the country has a rich history and mythology ripe for the metal picking. Nevertheless, something dark and otherworldly must be peeking behind the veil of reality because Djinn and Miskatonic have crafted a bowel shaking, Great Old One stomping record in Even Gods Must Die, their second foray into the eldritch dark. Carrying the torch of bands like Electric Wizard married to the stoner groove of The Obsessed, the album hybrid works and shows that the cyclopean eye of doom can cast its baleful gaze from any corner of the globe. Continue reading →
Hello there, online metal community. How you holding up? List fatigue setting in yet? If so sorry: this is in no way going to help. My first year writing for Nine Circles resulted in listening to over 500 albums – I won’t even begin to pretend they all got a fair shake, but they all got at least one listen. The sheer glut of music that passed through my ears was like an awakening, helping me to better understand what it was music did for me, what I needed it to do for me. I found albums that mesmerized on first listen only to fade quickly, and albums I initially dismissed only to find their hooks in me months later, and it’s these surprise revelations that keep me listening, keep me writing, and keep me so engaged with this beast we call metal.
You’d think doing a Top 25 would be sufficient to cover all the bases, but it feels like it doesn’t even make a dent into the great music that sustained me over the course of the year. And so, if you’ll indulge me, here’s an extra 15 albums that warrant honorable mention. Think of them as #26-40 (hey, if Decibel can do it…), in any order you like, though they’re alphabetical below. Let’s dig in… Continue reading →
He’s back! Our brother from the north and black metal maven Jonathan Petkau (Domestikwom, Dudeist Priests, Spacekau, Respectably Loud, etc.) has taken the metaphorical pen in hand to draft up some words on his favorite music of 2017. Without further ado, here’s Jon!
On a global scale, 2017 was a garbage fire of a year, and 2018 doesn’t show any signs of dying down. It is so omnipresent it often overshadows the personal goals I was able to achieve this year. I put out two EPs (one featuring one of my all-time favourite guitarists), as well as my first full-length album which for so many reasons is one of the things I’m most proud of (after family, etc.). If we all go out in nuclear fire or global warming floods tomorrow, at least I was able to get that one in under the wire (nervous laughter).
To combat the void staring us all in the face, I’d like to talk about the music that made me happy, because talking about said music also makes me happy. And if you in turn find that reading this makes you happy, fantastic.
This list will be alphabetical and not ranked: doing so at this point would not encourage my happiness. Continue reading →
California’s Disastroid recently released their latest album Screen which has a strong footing in both noise rock and sludge but highlights their love of energetic rock ‘n’ roll, grunge and catchy songwriting. They’re a hard band to pin down but as you’ll read below, they are more than ok with that. Since forming in 2007 each release introduces yet another side of the band and puts a brighter spotlight on each of these three members varied roots in music but across all their releases both heavy and appealing are the unifying factors. I recently had the chance to ask the band about Screen, how they comfortably blur genre lines and about their DIY approach. So head inside to see what they had to say and be sure to give them a listen. Continue reading →
Comprised of current and former members of Blackout, Hull and Family, Brooklyn based Somnuri are set to release their self-titled — not easy to tag — debut full length later this week. And so far, this year has seen its fair share of bands defying easy categorization, this one is no different. Their sludgy stoner grooves are elevated greatly by technical song structuring as well as an inherent ability to shape-shift from galloping destruction to a slow rolling pace in an instant. Ahead of the album’s release, Somnuri were kind enough to answer our set of Profile questions so head inside to see what they had to say and stay tuned later in the week for a full rundown of this album. Continue reading →