You won’t find blast beats or pinch harmonics or even cookie monster vocals in any of Swilson‘s music but you will find a band that counts Aleister Crowley, Sabbath and Blue Oyster Cult as influences as well as a band that lets it all hang out through good time rock ‘n’ roll with a bent for the dark side. With song titles like “Witchtrial Modern Day” and “Witchcraft 2018” it’s a shoe-in for a must listen. And they back it up with ferocious licks and a serious punk attitude that recalls the days when rock didn’t give a damn if it was a bad influence on the kiddos. Good times, to be sure. Just ahead of the physical version issue of their self-titled album we had the chance to ask guitarist and vocalist Stephen Wilson our set of Profile questions so head inside to see what he had to say and click those links to grab a copy while they’re available. Continue reading →
I’m seeing tons more people getting into the whole 31 days of horror extravaganza this year and want to remind everyone to not miss the Blood Red series from Chris where he goes all in for Hooptober. This is the month where horror and metal collide in an evil symphony and needless to say, I’ll drink to that. Speaking of metal, there’s plenty of it this week so let’s get to it…
Swedish death metallers Vanhelgd offer up their fifth installment of insanely good death metal on Deimos Sanktuarium and yes, it is better than Temple of Phobos. NY’s King Buffalo may tag themselves as heavy blues but after spending much time with their second full length Longing To Be the Mountain I would add ‘explosion’ to that tag – it’s an explosion of ideas; a psychedelic cousin and a blues brother meet up to grab drinks with a rocker friend and a metal head uncle. Great second effort here. Vermithrax make their brand of thrash pulse with the soul of classic heavy metal on Imperium Draconus and Solium Fatalis return with a crunchy, melodic blast of death and black metal on Genetically Engineered To Enslave – the production on this thing is unbelievable which is good news for eardrums all around the world.
Stacked week so far but there’s much more candy to enjoy below, go get them.Continue reading →
I could do a lot of poetic waxing here to set the mood for Leave No Path to Follow, the new album from Texas blackened doom merchants Krigsgrav, about how their mid-paced melancholic mix of metal was not only a chance to get some alliteration in this review, but also describes the thick atmosphere they bring to the table. I could mention the sterling cover of “Brave” from Katatonia’s Brave Murder Day and how that really stands as a touchstone for what the band can do. And I’ll probably talk about all that in greater detail in the main part of this review.
The clearest thing I can say about the album and band is this: I never heard of them before, got the promo, took a listen, and immediately went and bought the rest of the band’s discography. It’s called striking a nerve, and it struck all of mine. So let’s do this. Continue reading →
On Brass Owl‘s self-titled EP, released in June, this power trio shifts gears from stoner metal to jam band to southern rock to blues and back again over the course of seven songs — no matter what they slip into it’s cohesive, catchy and damn memorable. Simply put, hearing traces of Gov’t Mule alongside COC is never a bad thing. Mastermind and guitarist/vocalist Brian Tarter played with Steve Vai back in the 90s and having been in the music game for over thirty years he, obviously, brings a ton of experience and knowledge to the table that, along with his bandmates, shines through every note of Brass Owl. We had the chance to sit down with Brian for more information on him and the band so head below for his answers and click through the links contained within to show them some support. Continue reading →
Doom. The one genre where four letters can be as vast as all of the oceans on this planet and invoke emotions as varied as the colors around us. In the wrong hands it can fall rather flat but in the right hands — as is the case with Ripis — it can move mountains. Rolling sound waves, crushing riffs, tar thick atmosphere and lyrics that are the epitome of doom are just a few of the things you can expect on Shadow Dies In Morning Light, the band’s recently released second effort. Hues of Bell Witch color the pacing and shades of YOB highlight the songwriting but for over forty minutes Ripis OWNS this genre, period. This is doom metal in its purest form and it kicks all sorts of ass. After a chance email from the band and subsequent listen(s), we had to know more so we sat down with them armed with our set of Profile questions which you can find immediately below — and PANCHO. Be sure to click the links contained within and support this band in as many ways as you can afford! Continue reading →