Autarkh III is a mind blowing collective of musicians that are pushing metal far beyond its boundaries. This week, July 23 to be exact, the band will be performing at Complexity Fest 2022 located at Patronaat in Haarlem, Netherlands. And on this same date will be offering a special vinyl version of Roadburn Redux 2021, which we covered as our Album of the Month when it was digitally released back in April. If you’ll remember, this album is an alternative timeline to their debut Form In Motion and in a different musical context so, the words ‘pushing beyond boundaries’ takes on new and exciting meaning. Just ahead of their performance and vinyl release, Anton and Buke sat down with the band for a wide ranging discussion surrounding these events. We now bring you this conversation in its entirety so grab your beverage of choice, a seat, and enjoy. Also included below is a teaser so be sure to check that out along with the conversation.
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Thy Catafalque’s Tamás on “Vadak,” creating music on a Commodore Amiga, the art of blending multiple styles and genres, and much more!
Thy Catafalque hold the great distinction of simply sounding like no other band out there. Hot off the heels of their stunning 2020 release Naiv comes Vadak, and it’s no secret to say the entire 9C crew is in the bag for more twisting songs that break genre convention yet maintain a level of heaviness that will induce even the most discerning of metalheads to thrash with abandon.
Continue readingMajestic Downfall’s Jacobo and Alÿ on “Aorta,” the draw of doom, European vs. American fans, and much more!
Majestic Downfall trade in some epic doom that stretches and luxuriates in melancholic surges of blood and tears. Aorta is their latest testament to the power of the morose, and it’s a feat of stirring arrangements, mournful melodies, and a bass sound that burrows under your skin and lays its eggs deep in the flesh. It touches on the classic 90s era of the scene without mimicking it, and it’s one of those albums you’ll be feeling in your bones long after the last note is played.
Continue readingBoss Keloid’s Ste Arands on “Family the Smiling Thrush,” band and sound evolution, Toto, and much more!
Over the course of, now, five albums with Family the Smiling Thrush, Boss Keloid have gone from stoner metal to a progressive metal giant. They defy easy categorization and genre tags by keeping fans, and new listeners, on their toes with an amalgamation of styles and varying degrees of heaviness. To put it plain, no one else is doing what this band is doing, nor has the balls to put themselves out there like they do. And it works, tremendously so. Head inside for an in depth discussion via The Nine Circles Audio Thing.
Continue readingPerturbator’s James Kent on “Lustful Sacraments,” background in black metal, synthwave history, horror, and much more!
Synthwave is one of those genres that has become a go to for metalheads due to its horror movie kinship, its wildly creative sound and its imagery which at times can mirror some of extreme metal’s most enduring gorehounds. Perturbator and James Kent have been at the tip of this spear since Terror 404 back in 2012 and has shown more and more growth and depth on each successive album. Now, with Lustful Sacraments, the band dive further into the industrial side of the synth coin but do so in a way that doesn’t leave anything behind. Think of it as an experiment gone incredibly right. Head inside for an in depth discussion via The Nine Circles Audio Thing.
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