CANTO: Abrams, Necrofier, The Wraith, and More


Super late canto because sometimes life be like that.

  • TRVE Brewing’s 11th anniversary event is officially set for June 24 at the Gothic Theatre in Englewood, Colorado. The lineup features Godflesh, Sumerlands, Stormkeep, and more. If I lived out that way… you know I would be there. Anyway, here’s your ticket link (they go on sale Friday).
  • Abrams have announced a run of shows out West with BleakHeart, which covers a good chunk of May. They’ll be promoting their latest release, In The Dark, which is available through Small Stone Recordings.
  • Texan black metallers Necrofier announced a new album, Burning Shadows in the Southern Night, which will be out on June 2 through Season of Mist Underground Activists. Check out the vicious new single, “Burnt by the Sacred Flame”, here.
  • Jesus Piece released “Silver Lining”, the latest from …So Unknown. Give it a listen here. That album is slated for an April 14 release through Century Media.
  • Closing out, we have Nine Circles favorite The Wraith. They’re back with their new vocalist Harley Mace, and a video for “Overthrown” can be seen below. You can also snag it through Bandcamp. That’s taken from Ghost March, which we’ll look out for later this year.

“Ein Bier… bitte.”
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CANTO: Wo Fat, Enslaved, The Wraith, and More

Last one of these this week, because apparently I’m flying somewhere tomorrow.

  • Let’s lead off with some new Wo Fat! The psychedelic doom veterans unveiled an epic new 14-minute single titled “Orphans of the Singe”. Check it out here. That’s taken from their upcoming new album, The Singularity, which drops on May 6th through Ripple Music.
  • Sharing Enslaved happenings is pretty much automatic these days. Check out the live clip for “Bounded By Allegiance” here. The footage for that Isa track was captured during last year’s streaming event, The Otherwordly Big Band Experience.
  • We’re also big fans of Falls of Rauros. Key To A Vanishing Future is streaming in full over at Brooklyn Vegan, just in case you couldn’t wait until Friday. That one will be out through Gilead Media.
  • Recently signed to Nuclear Blast, Horizon Ignited have set July 1st as the release date for their label debut, Towards The Dying Lands. The video for the first single, “Reveries”, can be viewed here.
  • We’re going to close out the day with The Wraith. The video for “Toil” (from 2019’s Gloom Ballet) has surfaced as a tribute to frontman Davey Bales, who sadly passed away a couple months ago. RIP. Give it a watch below.

“Ein Bier… bitte.”
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The Nine Circles Playlist Vol. 117 (2.22.2020)

playlist - mixtape

Welcome to another Saturday mixtape, friends. Today we bring you a triple dose of Intronaut, a new Cirith Ungol song (which is not something I thought I’d ever get to say), and a host of other jams of various and sundry genres. As always, take a listen below.

– Vincent

Best of 2019: Corey’s List

Best of 2019

As I sit here writing out this 2019 list quite literally on New Year’s Eve (I swear I’m later and later with this post every year), I look back a bit and realize that 2019 was pretty much insane. Sure, we’re burning the Earth alive and democracy here is pretty much dead, but from a narrower lens, there were some positives. From a selfish standpoint, 2019 kicked ass. We should all look at the world with a greater perspective, and share in the trials and tribulations the world is going through and aspire for better… for everyone. But within all that, for the sake of sanity, it’s also healthy to look back on personal achievements and moments with some pride. And that’s where I’m at right now. Continue reading

Best of 2019: Chris’s List

Best of 2019

Fourth verse, same as the first?  Or second, or third for that matter?

This is my fourth End of Year List for Nine Circles, and the more the music changes, the more the sentiment stays the same.  With each new dance partner our hands clasp; our eyes lock and I see and hear and ask the same thing:  What does this do for me?  What does it mean?  Why this, and not something else?

I tried to spend this year answering those questions, particularly the last one.  In a year where I finally acknowledged that – while still important and cherished – metal was no longer the driving musical force in my life, I wanted to understand why the metal that I was drawn to impacted me.  What was it about the way this riff, or that vocal line, or that lyric touched me in a way maybe some other song, track, or album didn’t? Continue reading