Oh hi. Last week’s list was long but this week’s list is longer. Score. Annnnnd, we’re off… The Ocean has yet to release anything less than stellar and this week’s second Phanerozoic chapter is no exception—expect another epic tour-de-force. If you’re in the camp of saying how much Uada sounds like x band or y band, this week’s third full length will change that as they reach far outside the confines of just black metal and come up with all aces. Speaking of great third full lengths, Svalbard return with what might be their finest post-metal, punk, abrasive yet ethereal moment to date, the amount this band has grown in a short time is unbelievable. Bringing the top four to a close, we have yet another third full length from Lik who bring the Swedeath HEAT. So, exceptional top four here but there’s a ton more to seek out immediately below. Happy hunting.Continue reading
Welcome to another edition of our Saturday morning playlist. Thing get weird this week as we throw at you a witches’ brew of prog, war metal, pop-punk, acoustic folk, and just about anything else you can think of. We like to keep it interesting around these parts. Take a listen, as always, at the link below.
It appears I’m destined to be late to the party with my year end list, again. But really, who reads year-end lists in January anyway?
And you, apparently, read them as well, so thank you for checking mine out. This year was quite a ride for me, with not as many ups as there were downs unfortunately, but I made it through, and if there is nothing else for me to hold on to, it’s that. I made it. I’m still here, I still have a roof over my head, a loving partner, and the support of a legion of family and friends. And as always, good music to provide the soundtrack along the way.
Which brings us to what stood out to me in 2018. While this was a great year for music as any we’ve been having, my list this year is a little more brief than previous years. I found a lot of albums I liked this year, but the ones that I loved came fewer and farther between. Perhaps this was a product of my headspace not being the best for most of the time. Maybe I’m just getting pickier as time goes on. Who knows. Lists are subjective, and this is only representative of one humble person. But if you’re curious about what I kept coming back to over the last twelve months, then read on…
And hey. Thanks for being here. Continue reading
So, I was looking back at my year-end post from 2017 the other day, and I had to laugh. As you may recall, I opened said post with a little self-pat-on-the-back for finally making good on my pipe dream of taking in less music. (I listened to 165-170 albums over the course of the year, which is still a shit-ton, but it was down significantly from years’ past.)
Well, my count this year will make that one blush. As of this moment, my “2018” folder on Spotify – the place I archived playlists for all the albums I really sat down with and took time to enjoy – consists of just 91 playlists. And that’s from albums across all genres, not just metal. Continue reading
I’ve been experimenting with some bottom shelf bourbons as of late. Most of which should just stay at the bottom but I have found a couple of real gems that will be occupying space in my cabinet until everyone else finds out about them and they quadruple in price. And no, I’ll not tell. Anyway, if experimenting with new things is something you do we have a treasure trove of new metal this week. Kicking this list off is Oregon’s melodic black metallers Uada with their second full length Cult of a Dying Sun and they’re still melodic, still crushing but with an extra pinch of experimentation. Next up is Witch Mountain with their first full length since acquiring a new vocalist and yes, she KILLS IT so check out Witch Mountain and see how good their bluesy doom really is. Moving along is Svalbard with their, vicious hardcore / black metall..ish sound and a very important message in regards to the times we live in, new album It’s Hard To Have Hope — not only is the music a kick to the face but the message is a kick in the pants to dust yourself off and fight the good fight. Last up in the opening slots is New Hampshire’s technical (NOT TECH) death metal band Unflesh with their debut Savior which is not just technical but melodic in all the right places AND it’s a ton of fun so hopefully these guys will get signed soon. There you have it, the opening four. But — you guessed it — we have much more in store so stick around. Cheers! Continue reading