The singular beauty of Krigsgrav and their latest Leave No Path to Follow is how it updates the template of classic Peaceville doom and forges a deeply personal connection with the listener – no easy feat in this day and age of instant music access. It’s no secret how much we dug the album, but the constant evolution between albums and the choice to look inward with the new one had us curious to dig deeper, so we reached out to Justin Coleman (guitar, vocals) to give up the ghost on the making of the album and the path the band has and will continue to tread. Be sure to check out the new album with the embed contained within and turn it up loud as we get into the details. Continue reading →
I could do a lot of poetic waxing here to set the mood for Leave No Path to Follow, the new album from Texas blackened doom merchants Krigsgrav, about how their mid-paced melancholic mix of metal was not only a chance to get some alliteration in this review, but also describes the thick atmosphere they bring to the table. I could mention the sterling cover of “Brave” from Katatonia’s Brave Murder Day and how that really stands as a touchstone for what the band can do. And I’ll probably talk about all that in greater detail in the main part of this review.
The clearest thing I can say about the album and band is this: I never heard of them before, got the promo, took a listen, and immediately went and bought the rest of the band’s discography. It’s called striking a nerve, and it struck all of mine. So let’s do this. Continue reading →
Weekend is gone. I’m falling short on words so let’s just get to the week that is in new metal…
Don’t mess with Texas they said, somebody did and now Krigsgrav is back for revenge on Leave No Path To Follow and they’ve one upped themselves again here, no small feat since Waves of Degradation was a killer and likewise for The Carrion Fields but their brand of black metal laced with doom and gazey corners is a full on epic beast to behold. Fórn have been through all kinds of hell over the past two years and it shows in every pained note of Rites of Despair – this is a tremendous doom album that tests wills while keeping anticipations high for what’s to come next, highly recommended but you knew that so buy it already. Following on the heels of Sumac’s free form, on the spot collab with Keiji Haino is Love In Shadow which keeps that feel going but is a return to what they do best: crush souls with a bombardment of cerebral sludge. Last up in the top slots is Wisconsin’s Prezir with their war ready take on gritty yet memorable black metal on As Rats Devour Lions and the blood flows freely, just sayin’.
Jump in below, enjoy everything and stay as long as you like. We’ll see you back here throughout the week.Continue reading →
It goes without saying that the anticipation for Krigsgrav‘s first tour had been steadily building over the last few months. Waves of Degradation, the well-received latest album from the black metallers from Texas had only just dropped on April 1st, and the timing of that was no accident of course. But Krigsgrav have been experimenting with and developing their own black metal sound for the better part of a decade, and having them announce a run of shows in the northeast, where this sound is very much at home, was reason for excitement. Joined by Giant of the Mountain, a death metal trio also from Texas, the stage was set for one hell of debut tour. And based on my experiences on April 8th in Portland, Maine, it was well worth the wait. Disclosure: Falls of Rauros headlined this evening’s show, but I had prior commitments that required an early exit. Continue reading →
The guys highlight studio news from In Flames, Meshuggah and others, then laugh their asses off at Vince Neil and Nicolas Cage for their “fight” outside a Las Vegas hotel. Plus, a chat about new albums from Ihsahn and Deftones, and the return of SPORTS-TALK® to The Nine Circles Podcast!
All that and much, much more in Episode 38, so check it out!