My last show in 2022, and perhaps for quite some time looking ahead, certainly was a good one. When Katatonia announced a run of North American shows with support from my favorite band in The Ocean Collective, as well as Cellar Darling, I knew that was something I simply couldn’t miss, no matter what else was going on in the world. Well, it turns out I put that stance to the test. The November 10 date at the Worcester Palladium fell in the middle of an unexpected move from the seacoast of New Hampshire to the heart of the White Mountains. Regardless, the long journey on a work night proved more than worth it, and offered a rewarding break from all of life’s other forms chaos. It’s not often an opportunity to photograph two of your favorite bands on the same night emerges, and this experience was certainly one to remember for some time.
concert
Concert Review: Hoaxed, Sylvaine, Uada, and Amorphis, 4.30.2022
When I said to keep the concerts coming, I didn’t expect to see another one so soon.
After taking the chance to see The Ocean and Leprous last month, I headed back to the El Rey Theatre to see a favorite band of mine, Amorphis. Other bands on the bill included Hoaxed, a band from Portland who released an EP last year; Sylvaine, who were on their first North American tour promoting Nova; and Uada, a band who I have listened to before but never got into. Given the range of metal genres across all the bands, I expected more people to continue to show up throughout the latter half of the bill. Thus, as soon as I entered, I headed straight towards the front, parked myself there, and held that spot throughout the night.
Continue readingKhemmis, Opeth, and Mastodon live at The Fillmore Philadelphia, 4.26.2022
Bands: Khemmis, Opeth, and Mastodon
Photographer: Matt (Buke) Buchan
Location: The Fillmore Philadelphia
Date: April 26, 2022
Continue readingConcert Review: The Ocean and Leprous, 3.23.2022
The pandemic had robbed us of the joys of going to a concert, but with some regulations in force — such as masking and providing proof of vaccination — tours have finally resumed. When I heard that The Ocean was coming into town as support for Leprous on their North American tour, I decided to go, everything else be damned. Given that these bands had both placed high in my EOY lists over the last few years, I was excited (if not a little anxious) to go and see them. I had high expectations for a great show, and — spoiler alert! — they delivered.
Continue readingConcert Review: The Ocean and Leprous, 3.8.2022
It sure does feel good to be here again! For some reason I can’t quite put my finger on what caused my extended departure from the concert world, but having just eclipsed the two year mark since my last show, the time finally came. Truthfully, it would be hard to pick a better situation for such a return. After Phanerozoic I and Phanerozoic II both topped my lists in their respective release years, it is just too perfect that the first live performance I’ve caught in what feels like an eon was, in fact, The Ocean. And yes, that geologic time scale reference was intentional. Better still, this date at the Brighton Music Hall was headlined by Leprous, who finally got their hooks in me after an absolutely mesmerizing performance. Let’s dive into the festivities.
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