Profile: Yngve Andersen of Deathpop Dynamos Blood Command

Blood Command
Blood Command

Blood Command formed in 2008 and have went to great lengths to experience, through the modicum of their sound, damn near every genre out there and have done so with the kind of unfettered realness we generally never get to see. Meaning, it gives many fans that place to go when they don’t fit in to some specific thing or genre or frame of mind in general. Their self tagged ‘Deathpop’ is fitting since they’ve actually done death metal but dance the edges of melodic pop punk, among so many other things, in an effort to get listeners to just have a good time and forget all the ills of the world and whatever they might be going through at the time. Music has that power and Blood Command wields it with impunity, particularly so on their upcoming EP, Return of the Arsonist. I dare you to listen and not sing along to those choruses, just sayin’. Ahead of this EP’s release we reached out to guitarist Yngve Andersen with our set of Profile questions and he was generous in offering their backstory and some blistering takes so head below for how it went down. Continue reading

Profile: Maxime Ingrand of Post-Rockers Lost In Kiev

Lost In Kiev

What do you want from post-rock? Is it cinematic in nature? Atmospheric? Grandiose but completely unique to a specific band? To include mountainous stories behind the music? Why choose when you can have it all with Parisian’s Lost In Kiev. Ever since 2012’s Motions the band – across two full lengths – has put to tape some of the most astounding and awe inspiring post-rock that not only has heart and soul but an endearing sense of self and depth. And on Persona, to be released later this month, they continue this trajectory but with shorter and more pointed songs. To gain some backstory on the band we recently reached out to guitarist and synth player Maxime Ingrand so head below to get the scoop. Continue reading

Profile: William Jennings of Ghost:Hello

GhostHello

Ohio’s Ghost:Hello recently released a self-titled, two-track EP that’s in the psychedelic metal realm with its nod to the cosmos but shares plenty of space with fuzz and stoner metal as well. Previous to that, the band released a single, “The Mouth of the Gift Horse,” which leaned heavier on punk attitude, sludge, and hardcore. As you’ll read below, a full length is in the works so it’ll be interesting to see how this trio will flesh out these sounds or if they’ll go in a completely different direction. In the meantime, we recently had the chance to ask bassist and vocalist William Jennings our set of Profile questions to get a little background on the band so head directly below to get the scoop. Continue reading

The Nine Circles Audio Thing: Moon Tooth’s Nick Lee on “Crux,” touring, solid advice and much more!

Moon Tooth
Moon Tooth

New York’s Moon Tooth has set aside March 29 to unveil their monstrous second full length Crux and if razor edged hard rock/metal that is as aggressive as it is memorable is something you’ve been missing, this album needs to be in your pre-order list. The band’s trajectory has been nothing short of amazing; 2015’s Freaks EP was a ball of unbridled energy and 2016’s Chromaparagon added a progressive touch to said energy but tighter and more focused. On Crux, the band’s path shifts towards planet ‘kick ass and take names later.’ But seriously, this sophomore outing is exactly that but most of all it’s MEMORABLE and I can’t get enough of it. I recently had the opportunity to chat with guitarist Nick Lee about Crux, a new tour, lessons learned along the way, solid advice for any new band, and so much more. Head below to hear how it all went down and click those outro links to show some love to Moon Tooth. Continue reading

Profile: Tom Colello and Salvatore Rex of the Awe Inspiring Doomtroop Sigils

Sigils

One listen to “Faceless” is all it took to hook us completely on Sigils debut full length You Built the Altar, You Lit the Leaves. Pallbearer and YOB are the obvious RIYL jump off points but those only scratch the surface of the emanations from a band that’s endured a world completely devoid of feeling for anyone or anything different from what is tragically considered the norm. These four songs are occult, haunting, lonesome, methodical and strangely uplifting at the same time but always seem to be reaching for the stars like a young kid would reach for understanding of such a large and unknown world. And the fact that the album was recorded and mixed in a house that’s been in guitarist Tom Colello’s family for four generations just lends a personal touch to the proceedings that no one else can even get close to. Ahead of the band’s debut we had a chance to pose our Profile questions to Tom and vocalist Salvatore Rex to get their backstory so head below to see what they had to say and whatever you do, don’t miss this album. Links are included to help out in this endeavor. Continue reading