Album Review: Devil’s Witches — “Guns, Drugs and Filthy Pictures”

If you are looking for a truly unique metal-infused musical experience, look no further.  Devil’s Witches‘ discography is something to dive into to escape the “norm” and to even escape reality.  The band has a small but powerful discography, with Guns, Drugs and Filthy Pictures now added to the mix.  The music created by Devil’s Witches is a blend of doom metal, heavy metal, 70’s psychedelic rock, classic rock, with a few other musical elements and genres sprinkled in.  This once solo project, led by a mysterious multi-instrumentalist appropriately called Witchdoctor General, has since welcomed some returning players who all participated in the creation of this two-track EP.

Continue reading

Album Review: Poema Arcanvs — “Stardust Solitude”

Poema Arcanvs - Stardust Solitude

When I think of Chilean metal bands, I think of the heavily influenced and highly political thrash bands that cry about government corruption that was heavily exacerbated by Pinochet’s regime, rail about the current Chilean government, and comment on the current state of things. For a country filled with such a bloody history, it would make sense that their music would be energetic and angry, even when raising funds for earthquake relief. However, if you decide to look under the surface, that strife and anger can also translate well into a deep melancholy that permeates well into corta venas territory. Stardust Solitude, the sixth album by Poema Arcanvs (“Arcane Poem”) is an album whose sheer weight will sink you straight into an abyss of funeral dirges and riffs. Continue reading

Album Review: DEATHCAVE — “Smoking Mountain”

In the ever-expanding world of metal, new bands seem to constantly be emerging and stepping up to the plate.  DEATHCAVE is here to take a big swing with their debut full-length release, Smoking Mountain.  Their is, at times, as haunting as its namesake (the Apache death cave in Winslow, Arizona) with lyrics to match.  The general theme here focuses on the inexorable concept of the decay, demise, and death of humans and nature.  While the lyrics are enough to sink into a depression, the music is a delightful combination of thrash, doom, and psychedelic metal.  While at times haunting and dark, it has some lively high-energy moments mixed into the doomy haze.  The trio formed in 2018 and released a three-song, self-titled demo last year.  Their music is a captivating combination of metal sub-genres performed by just three skilled musicians.  Smoking Mountain is an enticing introduction to DEATHCAVE and their experimental sound. Continue reading

The Nine Circles Audio Thing: Primitive Man’s Ethan Lee McCarthy on new album Immersion, their mind blowing live experience, being louder than anyone else, early influences, and so much more!

PRIMITIVE MAN

Denver Colorado’s Primitive Man have been banging out the sickest and gnarliest sludge/doom jams since 2012 and have risen to the top of this heap in very short order. No light, no hope, ear smashing, and soul crushing are all things this band has been doing with aplomb since their debut Scorn. And now, with their third full length Immersion, the band is poised to slaughter eardrums and souls worldwide. They’ve figured out exactly how to build tension and let it simmer to the boiling point and have also figured out how to make it explode into a cauldron of hatred so nasty that many will have a tough time looking inside.
Continue reading

Profile: Jason Higson of Australian Sludgesters Yanomamo

Yanomamo

For a band that takes their name from an indigenous Amazonian group that is somewhat known for ritualistic endocannibalism, Yanomamo are on brand with slimy sludge and doom ridden psychedelics. Listening to their upcoming fourth EP, No Sympathy For A Rat, it’s hard not to conjure images from movies such as Cannibal Ferox and Green Inferno, right at the moment the subjects realized their fate would be sealed but with the twist that everyone stopped right there and smoked bowls before the atrocities began. It’s abrasive at its core and methodical in its riffs with just enough slow stoner metal thrown in to amplify the dreadful atmosphere they create. Ahead of the album’s release we had the chance to pose our set of Profile questions to guitarist Jason Higson so head directly below to see how it went down and be sure to visit the links contained within to show them some support. Continue reading