Best of 2020: Josh’s List

Best of 2020

I could wax for paragraphs on how 2020 leapt into the toilet in March and continues to swirl, deeper in, teetering just on the edge of complete obliteration, but that would be news to no one. In a year when bands could’ve easily went into hiatus based on no way to tour or support themselves—and honestly no one would’ve blamed them—we are damn lucky to have any music at all much less any best of lists. Thankfully the bands turned it up, tuned low, and cranked it out anyway, despite the thought of any sort of monetary return. In short, metal freakin’ ruled this year and kept me sane while the world crumbled and hope was fleeting at best. My music collection grew like my headphone time at dangerous volume levels (according to my apple stats) and I loved the fact that bands sounded angrier and louder, experimented more, stretched thin genre lines to the limit, and generally laid their balls on the chopping block in a way we haven’t heard in a long time. That chopping block bit was one of ten rules I made for my 2020 list back in January and all the artists that made my list did just that in one way or another but my picks this year were also about the albums that really stuck with me for either the long haul or made a fast impression. So, keep reading and maybe one, or more, of these will hit you the way it hit me.

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Initial Descent: September 13 – 19, 2020

Napalm Death

I find it amusing how deadlines get tighter and tighter yet info to meet these deadlines gets later and later. If you feel this pain, gimme a hell yeah in the comments. Anyway, as we journey deeper into the backside of 2020 the new release lists grow longer which just means more to choose from. Or overload, depending on perspective. But, either way, we win. This week sees the legendary grind masters Napalm Death return with their sixteenth(!) full length and it’s, as expected, a mindblowing experience—might just be their finest since we turned a new century, Hostia puts up their second full length of deathgrind and it’s clear these guys have honed their skills since their debut, generally a Various Artists album wouldn’t make top billing but Dirt, Redux is a fantastic homage to Alice In Chains with a fantastic list of contributing bands so do it, and Atlanta’s Palaces offer up some brutal, nasty noise metal. And, tons more to follow so get in there and spend some cabbage.

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