Wake Up and Smell the Satan! – November 2, 2018

wake up and smell satan

While the midterm elections and Dia Del Los Muertos are sure to give many opportunities for infernal sightings, the most thrilling of all this week on the black metal and death metal front may be in Berlin.

(The teenagers who allegedly planned to sacrifice classmates to Satan and drink their blood may be close, though.)

Nuclear War Now and Iron Bonehead are partnered up for the Never Surrender Festival, which began yesterday in Germany. The slate of bands is an impressive one: Temple Desecration, Faustcoven, Sabbat, Evil, Grave Upheaval, Blasphemy and Xibalba are just a few of the performers featured.

If you are reading this, chances are you missed your flight to Berlin and won’t be there. Never fear, because college radio station KFJC has got you covered with both a video and an audio feed of the festival. Watch the video stream here or if you prefer to just listen, the audio stream is here.

Because of time differences, those in North America will have virtually a full day of death metal and black metal concerts today and Saturday.

– EA

Album Review: Grave Upheaval – “Untitled”

Grave Upheaval - Untitled

Anonymity has been one of extreme music’s time-honored, though shopworn, traditions since even before the first wave of black metal. It has endured through a succession of major and far-lesser-known acts spanning continents and decades, in part, because anonymity taps that fearful part of the imagination in which these walls of haunting sound flourish. Furthermore, this tactic subtly returns to the music snob in all of us, by letting the music speak for itself. However, so common is anonymity that it has become an officious self-parody in instances like Ghost, where estranged bandmates battle it out in court over money, intellectual property and identity.

The Australian group Grave Upheaval seemingly pursues obscurity intentionally. About five years ago, the band released an album titled simply Untitled. It conveys no lineup information and its tracks are titled in a fashion that is as bland as one can get, e.g. Roman numeral titles. Now, roughly five years after Untitled, Grave Upheaval is back.

With what, you ask? Untitled, of course. Not Untitled II. Just Untitled. Not a good sign, perhaps. Continue reading