When it comes to folk inspired black metal, there’s not many bands better than West Virginia’s Nechochwen. And, on their fourth full length, Kanawha Black, they’ve managed to pull themselves to the front of the pack and widely eclipse their past work. This album has become a fast staff favorite here at Nine Circles for a myriad of reasons, but plainly put, no one out there is doing it better right now. Buke recently sat down with Aaron (aka Nechochwen) to discuss the new album and how it came to be, how the band are fans of French Indian warfare and Native American history and how those topics were lacking in heavy metal when the band formed, how the band got its start, their relationship with Panopticon‘s Austin Lunn and with Bindrune Recordings, the fact that Aaron is a classically trained guitarist, and so much more. We now bring you this conversation in its entirety so grab your beverage of choice, a seat, and enjoy.
Continue readingkanawha black
Second Circle: Nechochwen and Predatory Light
In Dante’s Inferno, the second circle begins the proper punishment of Hell, a place where “no thing gleams.” It is reserved for those overcome with Lust, where carnal appetites hold sway over reason. In Nine Circles, it’s where we do shorter reviews of new (ish) albums that share a common theme.
Black metal continues, as it has from the first time I got my ears around it, to be my favorite genre of metal. For all the trappings and headaches it can offer, there is truly nothing like black metal when it is at its best, so I’m always happy to talk it up when I find stuff that speaks to me, and today we’re having yet another two-for-one sale on this here website. Nechochwen‘s Kanawha Black and Predatory Light‘s Death and the Twilight Hours are very unlike each other in style and ethos, but bound together under the sign of the black mark.
Continue reading