Look here, we enjoy doing these playlists and sharing what we, collectively, have been listening to over the past week. And, it’s a great opportunity to share some really amazing track premieres too – always a plus. At the end of the day though, we do it to share all this with YOU as our little way of making the weekend better. With that said, feel free to tell us in the comments if you dig these things or not. And if not, what would you change or do different? Anyway, we’ve got another heaping pile of picks from across the spectrum of metal, and beyond, so hit the play button and crank it.
That chill in the air signifies the landscape surrounding us has begun its slow progression towards death. It also means that you need to sharpen your fire making skills because seriously, there’s nothing better than a crisp night under the stars with thought provoking metal and a roaring fire. With that, let’s begin: grim, frostbitten, technical and majestic all describe the black metal found on Throne of Heresy’s third full length Decameron, the heavy metal freight train that is Sweden’s Ram continues to barrel mightily down the tracks on Rod, on third full length and Colin Marston produced IAO 269 death metallers Corpse Garden show a new, outstanding, experimental side we’ve yet to hear and putting the final squeeze on this Halloween season is Autumns Eyes with their Type O Negative vibed Ending Life Slowly — dark, gloomy, goth tinged with a pinch of melodic death metal equates to a ton of fun here. Cozy up with us by this amazing fire we started (with lighter fluid, shhh – our secret) and explore all that this week has to offer… Continue reading →
I long for the day when new heavy metal can exist with a voice of its own. A voice strong enough to shed the nauseating “vintage” labels, rooting itself so deep in innovation that the world stops questioning the genre’s ability to exist in this decade. I have followed Swedish heavy metallers RAM for years in faith that the band will help eliminate this stagnation from my most beloved area of metal, and their newest release Rod is a commendable attempt. Referencing the 1980’s out of pure accessibility can be understandable, but it feels like an injustice to prioritize a mention of the state of metal thirty years ago when RAM have proven they have much to contribute in 2017. Continue reading →