Welcome to another edition of our weekly mixtape. On this mix, we’ve got a fair amount of variance coming at you, with tech-death from Ian, noise rock from Jon, all the new death metal picks from Josh, and screamo from…well, who else? You’ll find something to your taste here, so why not check these, and more, out at the link below? It’d kinda be rude not to at this point.
Welcome back, y’all. Sure has been a week, hasn’t it? Hopefully the week you all have been having has been better than mine, but we’ve officially passed through the tunnel into the light, and I’m grateful to have our little mixtape here to dig into to get my weekend soundtrack set up the right way.
On a more somber note, we here at Nine Circles were very saddened to hear about the passing of Unique Leader Records founder and Deeds of Flesh guitarist Erik Lindmark. Unique Leader are a force to be reckoned with in the world of death metal, giving a home to many of the most lauded and recognizable names in the worlds of technical and brutal death metal, and Erik’s work with Deeds of Flesh helped champion the sound that these bands would continue to shape to this day. We have included several choice cuts from both Deeds of Flesh and other bands on the Unique Leader roster as a way to celebrate the memory of this giant of the scene. If you are able to lend support to the family, a GoFundMe has been set up (right here) to benefit Erik’s wife and 5 year old daughter. Our condolences go out to his family, friends, and fans around the globe. Rest in Peace.
Corey and I opened the week with Neurosis, Converge and Amenra — needless to say it was mind blowing — so be on the lookout very soon for the full rundown. For now, it’s back to reality and another big week of metal here on Initial Descent. Kicking things off is the latest full length, What Passes For Survival, from New York’s avant/extreme/improvisational Pyrrhon — a band that is absolutely untouchable and inimitable — who have crafted yet another death metal album that demands your immediate and undivided attention. Next up is the simply stated yet aptly titled Hell from Oregon’s doom masters Hell who already have a staggeringly great back catalog but with the addition of this dark and sinister effort my bet is they’ll be riding high for some time to come. Moving on, Shooting Guns returns with their signature psychedelic doom rock on Flavour Country and as usual they are incredibly entertaining. Closing out the top spots is Canada’s answer to heavy hitting and bluesy doom metal, Olde with their latest full length Temple and again, this is another highly recommended release that would fit in nicely with anything you’re about to tackle. There you have it, an already stellar line up but you know the drill — there’s so much more to keep the metal fires stoked so pull up a piece of floor and stick with us for awhile. Got a comment/gripe/anything? Leave it in the comment section. Continue reading →
Given their prolific output of splits and film scores of late, it’s easy to miss the fact that Flavour Country (no I won’t correct that spelling no matter how the red line in Microsoft Word tells me it’s wrong) is technically only the third full length from Saskatoon heavy psych band Shooting Guns. Whether inspired by their recent turn to film scoring or just concurrently alongside it, Shooting Guns this time expand their sonic interests while knowing when those ideas are sufficiently expressed. In other words, Flavour Country covers a lot of ground in its 34-minute run time. Continue reading →