First full week of this time change and I already feel better. Under the guise of having a hard time with it, did you miss anything we had last week? Go back and research but do, at the very least, catch our February album of the month chat for Ithaca’s The Language of Injury, and I’ll make it easy for you – link here. New week and new metal, GO.
Leading this charge is NY’s Sigils with their spine tingling doom debut You Built the Altar, You Lit the Leaves, its soaring melancholy meets occult themes and personal backstory makes for a splendid experience. Next up, Gods Without Name from Aoratos (new offering from the mind behind Akhlys) is a whirling maelstrom of black metal with a terrifying atmosphere, no surprise here from Naas Alcameth. Moving right along, Tempel who combine good-time old school metal, rock and hardcore for a sound that’s, well…, a damn good time on Tempel. Last up top is California’s Tryptamyne who recently found a home for Tryptamyne with upstart label Vargheist Records and since the label deals in a niche corner of the extreme, this blend of grind and progressive elements with an experimental flair is a perfect fit.
Welcome back and happy Saturday everyone. I come to you again from the land of Post-Concert Exhaustion. Last night, as of this writing, was the LA stop of the Baroness/Deafheaven co-headlining tour, which yours truly made an appearance at. While the package’s opener left me a little cold (sorry, don’t @ me), Baroness turned me from a casual enjoyer to a full-on convert with their euphoric set, and Deafheaven continue to be head and shoulders above the vast majority of modern metal acts, always in fine form no matter how rigorous their tour schedule may be. The cure for any wretched week usually involves seeing one of my all-time favorite bands live, and I feel like a brand new human being. Of course, if your Saturday is looking glum, you can always throw on our mixtape and dance around the house in your pajamas. That sounds like a good time too. And really, you deserve it.
I have a couple bones to pick with the debut self-titled album by Tempel. The first bone is that no, it is not Tempel, the excellent post/death/black-metal band that released 2015’s epic The Moon Lit Our Path. The second is that after I got over my disappointment… I was annoyed to realize that this album is a pretty god-damn good album that liberally borrows from countless metal genres. Continue reading →