Initial Descent: December 2 – 8, 2018

Graf Orlock
Graf Orlock

Sickness sucks. I’ve been fighting a damn cold for what feels like an eternity and it just won’t quit. YAY ME. Ugh. But, you know what makes me feel better? Hey WHAT, you don’t care?! FINE. But, I’m saying it anyway because I can: new metal makes me feel better and there’s another heaping load of it this week so let’s hop to it, shall we…

Graf Orlock, who define DIY hardcore punk these days, returns with their fourth full length (and 11th release overall) Examination of Violent Cinema, Volume 1 which features inspiration from, you guessed it, violent films released in 2017 and autopsied corpse packaging but really it’s another notch in the belt of a band that defines its own genre in 2018. Viscera/// return with a quick hitter EP in the form of City of Dope and Violence and it’s a twisted rail of hardcore, sludge and experimentation but a fast trip you’ll want to take. Svartidauði have been through a whirlwind of life happenings in their short existence but that didn’t stop them from releasing a stunning sophomore effort of epic black metal on Revelations of the Red SwordLast up top this week is the labyrinthine maze of progressive / technical death metal from Zealotry on At the Nexus of All Stillborn Worlds which is the band’s maiden voyage for Unspeakable Axe, perfect fit.

After that opening four I’m already feeling better. Thanks for your concern…or not. Anyway, you know what to do next. GO. NOW. Continue reading

Album Review: Graf Orlock – “Crime Traveler”

graf-orlock-crime-traveller

Occasionally, elements at odds combine beautifully: Black metal and ambient music, crust punk and melodic death metal, and, in the case of LA-based outfit Graf Orlock, screenwriting and grindcore. On their newest effort Crime Traveler — the samples of which are taken from the band’s own film — they’ve taken the template of sampling in grindcore and elevated it to levels of ambition few can touch. Graf Orlock don’t just throw samples in the mix; they fully integrate them into the songs to narrate the arc of the corresponding film, all while the music itself is a winding grind/hardcore hybrid. Continue reading