Good morning, it’s time to metal. Here’s some news you might have missed from yesterday:
Leading off, according to a Brazilian news article (translated by Reddit user fraud_93) Krisiun and their tour-mates, NervoChaos, were arrested by Bangladeshi authorities shortly after arriving in the country for their Asian tour. The charge? Blasphemy. (Yep, we’re gonna do that again.) Ugh.
Ahhhh it is finally mid-May. Which means the annual countdown to Maryland Deathfest is well in place. Of course, the reason MDF has become an annual tradition is because of all the incredible memories from past experiences. And what better way is there to reflect on some of the better moments from America’s premier death metal festival than with this particular piece of content? Let’s start by revisiting the highlights of MDF 2014…
Gothenburg, Sweden’s At the Gates need no introduction. Call them pioneers, call them forefathers, call them innovators – but there are few modern metal bands who haven’t been impacted by at least one of the death metal trailblazers’ albums, whether the avant-garde tech tendencies of their first two albums or the more accessible riff-factory approach of their later works. Simply, they’re one of the most important metal bands of the 90s, and their impact continues to ring true today in their well-received reforming. They’re the kind of band we love analyzing at the various points of their career, and for that reason, they’ve earned a place in this column. Welcome to the Nine Circles Ov… At the Gates. Continue reading →