Its been a long time since I posted anything for Nine Circles. Of all the things 2017 has been for me, it has definitely been the busiest I’ve ever been. I joined more bands, recorded drums / vocals for other bands, art for my bands and other bands, PR for my bands and others, started a record label, and a bunch of other stuff. I miss being more active with Nine Circles but it looks like the current staff has been crushing it!
Anyway, the time has come for year end list. I love reading everyone’s lists and seeing what albums I might have missed or maybe need to check out again. I hope you find some new music in here you will enjoy. Continue reading →
Yep, here we are amongst best of 2016 list season and in true form these final weeks are looking to be list busters. But hey, on the bright side we have tons of great new metal just in time for the hectic shopping and traffic season. So, strap on a pair of headphones, get out there and brave it. Sweden’s black metallers Murg return with their second full length Gudatall which is as heavy on black metal aggression as it is on suffocating atmosphere, Grafvitnir offers scathing and utterly evil black metal on Obeisance to a Witch Moon, Call of the Void continue their amalgam of death, grind, punk and sludge metal on AYFKM (guess what that stands for), Black Cilice gives us yet another cold and blistering black metal release for the week on Nocturnal Mysticism, and Youdash bend time as well as all constraints of typical death metal thought patterns on their strikingly good debut Astrophobia. Stellar week here on Initial Descent and we still have more to go so continue the exploration, after the jump. Continue reading →
Call of the Void is a relatively young band for as much as they have accomplished since forming. They signed a deal with Relapse Records before releasing their debut in 2013. Their records have been solid and reviewed positively across the board. They’ve toured extensively with awesome bands like Bleak and Inter Arma: making a reputation on fantastic and intense live shows. AYFKM is their first release since losing their vocalist after releasing Ageless in 2015. With their crushing live performance and praise-worthy studio releases, I had no worries about how the new release would be. Continue reading →
This past year’s been a good one for me as far as music writing goes. Following the early 2015 demise of a site I wrote for with some friends, I wormed my way into regular contributor gigs at three online metal blogs/pubs, all of which I was already a fan. It’s been a good year for metal, too. I’m not gonna lie and say 2015 blew my dick off the way 2014 did… because it just didn’t. But that’s not to say I didn’t hear some killer new shit this year, as well as find out about a handful of new, promising acts with which I wasn’t yet familiar. Continue reading →
Somewhere between the buzzsaw guitar grind of vintage Entombed and the murk of the modern American underground’s best up-and-comers like Baptists and Call of The Void, you’ll find Sweden’s Bastard Grave. The group’s new full-length, Pulverised Records’ What Lies Beyond, is a dripping mud pit of frantic riffs and horror aesthetic that sounds just as much at home on a playlist with old school death metal as with the latest blackened thrash. According to Bastard Grave’s press release, prior to What Lies Beyond, the band only had one demo to their name, which makes the debut effort all the more impressive. Sitting down to spin this album and knowing that this was the band’s first full-length, I expected a more scattered affair. Pleasantly surprised to find out how wrong I was; What Lies Beyond features an array of songs uniting under the clarity of one solid vision. Continue reading →