I had a plan in January. The same plan I have every January: to only document the albums that strike a major chord in one way or another. Yet, here we sit in December and I’m debating on at least one or two of my locked list and mourning those who fell off. Don’t take ‘fell off’ as a knock either. It simply means there was no shortage of amazing albums this year and well, I just enjoy the torture of whittling away on my favorites (not).
I’ve spoken at length about how important music is for life in general and how important it is for me as someone that had a finger on the play button for nearly all 8,760 hours that made up this year. EOY lists, I love them – always have and always will. It’s a chance to purge all the best and move on to yet another cycle into the unknown. Fire walk with me through the albums that hit home the hardest… Continue reading →
Did you spend some quality time with your valentine? Yea, it was in the middle of the week…and work…and stuff. But, it’s the weekend now so no excuses right?! Take them camping, start a fire, go for a hike but whatever you do, don’t forget your headphones and might want to bring a splitter so you both can enjoy what this week’s new releases have to offer. Kicking off this week of heart’s is Austria’s Harakiri for the Sky as they continue to mix post-metal melancholy with black metal aggressiveness on Arson, thought provoking black metallers Eignelicht offer up their highly anticipated full length debut Self-Annihilating Consciousness and even though it’s only five tracks its all consuming nature makes it feel so much more expansive, Chaos Echoes successfully trump their own astounding debut on Mouvement and further prove that they are the reigning champs of extremely complex and contextual music, rounding out the opening slots: punk attitude meets hardcore intensity on The Good The Bad and The Zugly‘s third full length Misanthropical House. As you can clearly see, buying that headphone splitter is a great idea so you can share all the good stuff this week has to offer. There’s more to follow so head inside and enjoy. Continue reading →
Receiving the Evcharist is our weekly feature where we pair choice albums with our favorite libations. Drink from the cup of heresy. This week’s offering: Chaos Echoes’ Mouvement and The Lost Abbey Brewing Company’s Carnevale. Continue reading →
I’ll admit: when I saw the genre classification that accompanied Chaos Echoes‘ new album, Transient, I was intrigued and perplexed all at once. The tag? “Avant-garde death metal.” Now, alongside metal, I’m also a fan of classic, free-form jazz—true avant-garde stuff, if you will—so I’m familiar with what this tag means and what it encompasses. But I’d never seen it used in conjunction with death metal, so I wasn’t quite sure what to expect. After listening to this thing several times, though, I can honestly say this is an instance where the shoe actually fits, and the label is entirely appropriate. Continue reading →