I find myself residing in central Appalachia this week.
Atreyu have announced a couple of streaming events on November 20th and December 4th. The first will be a greatest hits set and the second will feature Lead Sails Paper Anchor in full. Tickets available here.
“Army of liberation, gunpoint indoctrination. The fires of sedation fulfill the prophecy.”
Album news from Uada, which I’m always excited for. Their next release, Djinn, will be out on September 25th through Eisenwald. That will mark their third full-length, following the success of 2016’s Cult of a Dying Sun. You can check out the title-trackright now.
Expect Halloween talk here for a bit, just FYI. Between Chris kicking off this year’s Hooptober, 3 From Hell, and AHS 1984 starting, the season is off to a killer start (see what I did there?). Those things are all great and as a bonus we’ve got, what might be, the longest list of new metal thus far so let’s jump right in…
Everything’s bigger in Texas, is what they say, and Creeping Death prove it on their full length debut of cracking death metal – don’t miss it folks, just don’t. Opeth return with their next prog filled opus and honestly some old Opeth creeps in but without a doubt, it’s another great album and I can’t wait to see all the “I’M MAD STILL” happen – wait for it…. You want psych metal that’s as retro as it is exceptionally great? The Neptune Power Federation definitely have you covered there and no they’re not a throwback rasslin’ group for those of you with questions. Last up top is everyone’s favorite sludgers, Fister, who cover classic metal tracks in their own wretched way. And it’s fantastic, so get on that.
New week, new set of circumstances, new opportunities, and new metal which is the one reason we’re here. As some band once said ‘nothing else matters.’ And with that, let’s get on with it.
This week will be remembered for many reasons, I’m sure, but the biggest of which is whatever you thought you knew about Lord Dying forget it and make way for their new, more progressive, more classically psychedelic, and more fantastic look on Mysterium Tremendum – talk about surprises, it’s nearly impossible to tell this is the same band but make no mistake, it IS amazing. Then we’ve got black metallers Murg who moved mountains with their debut Gudatall but return to grab the sky and move it too on Strävan, it’s everything that was great about their debut, just better and particularly so in the memorable songwriting department. Next is everyone’s favorite droners Sunn O))) (say it with me…sun) who return with another slab of frequencies on Life Metal that are so heavy you can feel them, or breathe them – points if you know where that came from and if you missed out on RSD, now’s your chance. Last up top but certainly not least is Spotlights who prove that post-metal as a tag is limiting seeing as how Love & Decay is so much more with its power, haunting melodies, and wisps of granite destroying heaviness – ‘iron tone in a velvet glove’ was part of the promo accompaniments and it couldn’t be more accurate.
October, finally. The best month of the year is upon us which is a cause for celebration. ‘But, it’s Monday’ you say – hogwash, it’s the first day of October. Moving on, metal is celebrating another release week and we’ve got your fix for all things shiny and new. What’s in store? Keep reading…
The world is pretty dark and Behemoth loves us as noted from the title of their eleventh full length I Loved You At Your Darkest. What can I say? Behemoth is still Behemoth and even though it’s not a great album it is a good one, if you dug their last handful you’ll dig this one as well. Based on the lead off single, High On Fire is back sounding better than ever with Electric Messiah which should come as no surprise – galloping riff thunder from the riff lord, color me excited. The ever chaotic and apocalyptic brand of black metal that Carpe Noctem debuted back in 2013 is even more upfront on Vitrun but more than that, this thing is an absolute beast that towers over their debut – highly recommended. Last up top is Brazil’s Piah Mater with a truly progressive death / black / rock effort on The Wandering Daughter and when I say this thing impressed the hell out of me I mean it wholeheartedly. They strike an outstanding balance of Opeth and Enslaved but turn it into something wholly their own and show off some outstanding chops in the process. Just go buy it already.