When a band takes over five years between albums, expectations can and should run wild, especially if your previous album stunned critics with its idiosyncratic style and unrestrained creativity, yet at the same time remained criminally unnoticed. Do you return with updates to your formula and double-down on your artistic approach or do you dilute the complexity of said formula to achieve a flavor more palatable to the masses? With Immoto, Nero di Marte tackle this dilemma decisively with mesmerizing results that reverberate hauntingly. Continue reading →