Good morning, it’s time to metal. Here’s some news you might have missed from over the weekend:
As usual, a whole bunch of bands dropped new albums on Friday, including Night Demon and Artificial Brain. For a full breakdown, check out Josh’s recap.
Enslaved are hard at work on what will be their 14th studio album, which guitarist Ivar Bjørnson says will take “more risks than ever before” and a whole bunch of other standard-issue PR speak. Either way, color us excited!
Good morning, and a happy St. Patrick’s Day to you all. It’s time to metal. Here’s some news you might have missed from yesterday:
Ahead of the release of their upcoming album The Assassination of Julius Caesar, Ulverreleased a new track called “Nemoralia.” It’s wildly fine.
Morbid Angel frontman Steve Tucker tried waaaaaaay too hard to appease alienated fans, using “death metal” three times in a single sentence to describe what the band’s new material sounds like. When asked for a follow-up comment, guitarist Trey Azagthoth simply kept banging hardcore and radical. (I’m assuming.)
Remember how lame Danzig‘s covers album, Skeletons, was? Well, good news! The legend’s dropping a new album of original material in May. It will probably suck less?
Against overwhelming odds, it appears the Nachtmystium train’s building up steam once more. The band’s been booked for the invite-only (WTF??) Carnis Festum Open Air in California. We shall see.
I’m sure there are some symphonic metal fans among our readers here at Nine Circles, right? Maybe? Well, if so…good news for y’all: Xandria has announced their first-ever North American headlining tour.
Ivar Bjørnson of Enslaved and his ambient side project, BardSpec, have announced their debut album, Hydrogen, which drops June 23. I’m excited for a couple of reasons: first, the band cites both Tangerine Dream and Godflesh as influences; and second, that cover art kicks an ass.
And finally, Kvelertak released a video for “Bronsegud,” off last year’s Nattesferd. You can check it out below:
Not sure why a 2:57 song had to turn into a 6:22 video. BOLD STRATEGY, COTTON, LET’S SEE HOW IT WORKS OUT FOR ‘EM. Anyway, that’ll do it for now — check back this time on Monday for our next edition!
Ivar Bjørnson and Einar Selvik’s Skuggsjá is a musical collaboration that came together as a celebration of the 200th anniversary of the Norwegian Constitution. In 2014. But after positive reception at the Eidsivablot festival in Norway and then later at Roadburn 2015, it was decided that the piece needed to be recorded; to be made available for a the masses. And am I ever grateful this… experiment, I suppose, reached this point. Centered around traditions and tales of their Norse background, with A Piece for Mind & Mirror, Skuggsjá have created what is undoubtedly the most mesmerizing collection of sounds so far in 2016. Nestled somewhere in the intersection of folk, black metal, and post metal, it is a true masterpiece that is capable of enticing audiences of all genres. Continue reading →
With a new album dropping on March 10th, the time is ripe for a quick review of just how amazing Enslaved is. Haugesund, Norway’s finest have been plying their trade since 1991, and have been described as many, many different types of metal over the years. If you had to sum it up—and please do not do so by labeling them “viking metal”—they’re probably best described as “progressive-extreme-blackened-death-metal.” Or something like that.
Regardless, in their 24 years, they’ve released a whopping 12 LPs, three EPs, two splits (with Emperor and Satyricon, no less!) and two DVDs. That’s a monumental amount of work for a band of any genre, but even more significant is how they’ve evolved from an experimental band to a truly progressive and influential one. So without further ado, here’s a list of my personal Top 10 Enslaved songs: Continue reading →