I’m the resident goat guy ’round these parts, so it was my solemn duty to check out any album with the horned beast featured so prominently in the title. Alas, I only see six, and not 666 goats actually carrying (though pulling would be more accurate) said chariot, but despair not, because Bütcher make no pretensions of math being their strong suit. Their trump card is metal, and 666 Goats Carry My Chariot is an almost ridiculous blast of old school thrash and speed: full of bombast, screams and leads that will melt your face and drive you away to dismal cold.
Even though the current logo reminds me of a burning in hellfire Stryper. Continue reading →
The recent turn of events for the incredible Tanagra is unfortunate at best and absolute bullshit in its entirety. At its core, it shows a company – that no one’s ever heard of – that will stop at nothing to cripple a band that has nothing to do with said company nor had any intentions of crossing paths in any way. If you do nothing else today, go here and buy all you can to show the band support and hopefully give them a fighting chance to rebuild or whatever their next step will be. In other news, we’ve got tons of new metals this week beginning with the old school blackened speedsters Bütcher, an industrialized and cinematic take on The Seventh Seal from Brooklyn’s Fliege, soul touching darkness from Deathwhite, and vermin infested death from Proscrito. Beyond that, tons more entries await. Do it.Continue reading →
By the time this goes to press I’ll be working my way out of the mountains and back into the hustle and bustle. I’ll probably get lost along the way and will, no doubt, be cold but it’ll be worth it. Nature rules, you should try it sometime. Anyway, thanks to these music players / phones / leashes we all have I won’t be without some of this week’s shiny new metal. Long list ahead so let’s get to it…
Ontario’s Minors was recently one of our Profile subjects and we said that their brand of sludge fueled hardcore would “leave jaws planted firmly on floors the world over” on sophomore outing Abject Bodies and we weren’t kidding – take our word for it and buy it. Next up is new music from Primitive Man and Hell which separately would rule by default but to have them on the same album, in Split format, is likely to knock the earth off its axis with their massive combination of death, doom and sludge. Pernicion wreak trve death metal havoc on their EP Seek What They Sought, and Sanhedrin keep the flames of classic heavy metal extremely well stoked on The Poisoner.
It would seem that Pernicion come from a long line of no bullshit, balls out, death metal lineage. And on their latest EP Seek What They Sought, the band seek (no pun intended) and destroy. Now, when discussing what constitutes ‘no bullshit’ there’s many different avenues to be considered but the biggest here: this band is no frills, no showboating, no solos and no overdubs. It’s just go in there, roll on it, and record it. Period. And respect to them for pulling it off so damn well. Continue reading →
Døden Skal Ikke Vente translates from Norwegian to “Death Must Not Wait” and it’s a good thing 2019 didn’t have to wait for some great black metal to come out, because the latest from Dødsfall is a skin-peeling melodic black metal assault. After four years of inactivity and the pickup of new drummer Telal, Døden Skal Ikke Vente finds Ishtar (the man, not the Dustin Hoffman/Warren Beatty film, although that would be cool) in a rejuvenated place, with a brighter overall sound that doesn’t diminish the frigid attack of the album. Continue reading →