By the time this goes to press I’ll be working my way out of the mountains and back into the hustle and bustle. I’ll probably get lost along the way and will, no doubt, be cold but it’ll be worth it. Nature rules, you should try it sometime. Anyway, thanks to these music players / phones / leashes we all have I won’t be without some of this week’s shiny new metal. Long list ahead so let’s get to it…
Ontario’s Minors was recently one of our Profile subjects and we said that their brand of sludge fueled hardcore would “leave jaws planted firmly on floors the world over” on sophomore outing Abject Bodies and we weren’t kidding – take our word for it and buy it. Next up is new music from Primitive Man and Hell which separately would rule by default but to have them on the same album, in Split format, is likely to knock the earth off its axis with their massive combination of death, doom and sludge. Pernicion wreak trve death metal havoc on their EP Seek What They Sought, and Sanhedrin keep the flames of classic heavy metal extremely well stoked on The Poisoner.
It would seem that Pernicion come from a long line of no bullshit, balls out, death metal lineage. And on their latest EP Seek What They Sought, the band seek (no pun intended) and destroy. Now, when discussing what constitutes ‘no bullshit’ there’s many different avenues to be considered but the biggest here: this band is no frills, no showboating, no solos and no overdubs. It’s just go in there, roll on it, and record it. Period. And respect to them for pulling it off so damn well. Continue reading →
Døden Skal Ikke Vente translates from Norwegian to “Death Must Not Wait” and it’s a good thing 2019 didn’t have to wait for some great black metal to come out, because the latest from Dødsfall is a skin-peeling melodic black metal assault. After four years of inactivity and the pickup of new drummer Telal, Døden Skal Ikke Vente finds Ishtar (the man, not the Dustin Hoffman/Warren Beatty film, although that would be cool) in a rejuvenated place, with a brighter overall sound that doesn’t diminish the frigid attack of the album. Continue reading →
My weekend festivities consisted of healthy doses of horror and metal, as it should. How many of you caught the new Halloween? I thought they did a great job with it and the fact that they packed it with stuff for fans of the original was a definite plus. And I’ll leave it at that in case you haven’t seen it yet. As for the metal, read on to see what’s in store this week…
Hate Eternal are back with their seventh full length of wildly technical but oh so good death metal on Upon Desolate Sands – I’m not calling it a triumph over Infernus yet but Rutan and co. kill it as usual. No matter what camp of Bloodbath you frequent the most, their fifth full length The Arrow of Satan Is Drawn offers enough horror fueled Swedeath for any and all parties, I dig it. Norway’s Sjukdom keep it frosty with 90s style black metal but offer just enough melodicism to trip my trigger on Stridshymmer Og Dodssalmerand Oregon’s Megaton Leviathan turn the psychedelic drone of Mage into an entrancing ritual which makes it a worthy successor to their stunning Past 21: Beyond the Arctic Cell.
I think this is the first time since I’ve started doing these Throwbacks again that I’m actually nailing an album look-back post down on its actual birthday. Progress, folks! Anyway, today we’re here to celebrate Absu. Over close to three decades, the world’s come to know these Texans as a pretty much unimpeachable institution of black / thrash metal. But on their debut full-length, Barathrum: V.I.T.R.I.O.L. — which turns 25 today — the then-quintet actually leaned more toward death metal than anything they’ve done since. Unsurprisingly, there was still a healthy amount of theatricality to it. Even less surprisingly, it’s still worth your time. Continue reading →