CANTO: Chevelle, Hooded Menace, Knotfest Los Angeles, and More

Today was a long, weird day. Probably because the world is on fire, but that’s just speculation.

  • We’ll start with the recently announced Chevelle tour dates. Those are U.S. dates that run from September 1st through November 21st. Naturally, this tour supports the recently released new album, Niratias, which is out now through Epic Records.
  • Slipknot have announced Knotfest Los Angeles, which will take place on November 5th at Banc Of California Stadium. That will be headlined by, well, Slipknot… but also Bring Me The Horizon, Killswitch Engage, among others. Tickets go on sale this week at this location.
  • Black metal collective Aussichtslos have set September 30th as the international release date for Einsicht. Their second album will be available through Purity Through Fire on CD, with a vinyl run coming sometime in the future. Check out a new track, titled “Flächenbrand”, right now.
  • Hooded Menace dropped a new video, and that sounds like the ideal way to wrap up Monday. “Those Who Absorb The Night” is taken from The Tritonus Bell, which is set for an August 27th release through Season of Mist. Pre-order it here, if you feel so inclined.

“Ein Bier… bitte.”
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Album Review: Hænesy — “Garabontzia”

The more I listen to black metal, the less I find myself caring about about things like rules or categorization. I’m not looking for black metal to change my worldview, or adhere to a set of parameters that maybe made sense over 20 years ago, but mean little now. I want the music to align to what I need at a given moment, and whether it does that via second wave lo-fi buzzing guitars, symphonic sweeping tremolo lines, or post rock shoegaze, it doesn’t matter in the end. I don’t need it to educate me, I need it to carry me – a weird thing to say about black metal, but there you go. And Garabontzia, the latest from Hungarian band Hænesy does that nicely, channeling post black metal whipped through a haze of reverb and ambient keyboard to deliver a spacious wave of noise that crashes in ever softening reverberations.

Are we still talking about black metal? Does it really matter?

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Rainbows in the Dark: October Falls — “Syys”

Okay, so I cheated a little bit with this one.  October Falls are not what anyone in their right mind would classify as “non-metal” but they are incredible, I will jump at the chance to review them anytime I can, and they have always had a way with mixing surprising elements into their brand of nature-inspired black metal. It seems that they are going to keep to that trend, and maybe throw some surprises out there, with their latest release, the all-acoustic Syys, which is also their second full-length release of this year.  See? That’s my rationale.

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CANTO: Shadows Fall, October Falls, Havok, and More

Tomorrow’s my Friday, but it doesn’t matter much because I don’t think today will ever end.

“Ein Bier… bitte.”
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Album Review: October Falls — “A Fall of an Epoch”

There once was a band from Helsinki… I don’t have a limerick to tell but, now that I’ve got your attention let’s talk about Finnish black/folk band October Falls and their new release, A Fall of an Epoch.  The band’s signature sound, described as “nature-oriented black metal,” is perfectly crafted here.  This is a black metal album with folky, atmospheric interludes offering moments of peace and solitude between killer riffs and Mikko Lehto’s howling vocals.  The perfect balance between the two musical styles makes for a beautiful and provoking album. Continue reading