A few weeks ago, the then-new episode of the Vehlinggo podcast introduced me to Montreal synth duo Le Matos. Host Aaron Vehling had brought producers Jean-Nicolas Leupi and Jean-Philippe Bernier on the show to talk about their work on the new retro thriller, Summer of 84; the duo had composed and performed the film’s score, while Bernier also served as its cinematographer. With the description of the film and song samples that Leupi and Bernier offered up on the show, I was, to put it mildly, intrigued.
I jumped into the score immediately, but it took me until just this past weekend to actually sit down and watch Summer of 84. So, this edition of Retrocution is going to focus on both: a tremendous, tension building collection of cinematic synthwave tunes, and the decent-but-not-great nostalgia trip that can’t quite match up with them. Continue reading